Items where Division is "School of Arts and Communication Design" and Year is 2020

Group by: Creators/Editors | Item Type | No Grouping

Number of items: 103.

Article

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2020) Pinter, authorship and entrepreneurship in 1960s British cinema: the economics of "The Quiller Memorandum". Historical Journal of Film, Radio & Television, 40 (3). pp. 533-550. ISSN 1465-3451 doi: 10.1080/01439685.2020.1778316

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2020) Specially for television? Eh Joe, intermediality and Beckett’s drama. Samuel Beckett Today/Aujourd’hui, 32 (1). pp. 41-54. ISSN 1875-7405 doi: 10.1163/18757405-03201004

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2020) When Beckett on Film migrated to television. Књижевна историја (Literary History), 51 (169). pp. 97-108. ISSN 0350-6428 doi: 10.18485/kis.2019.51.169.5

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Davies, W. (2020) Introduction: Harold Pinter’s transmedial histories. Historical Journal of Film, Radio & Television, 40. pp. 481-498. ISSN 1465-3451 doi: 10.1080/01439685.2020.1778314

Brixey-Williams, J. (2020) Traces of the invisible: how an alternative reading of The Sleeping Beauty fashioned a bookwork heightening awareness of the role of the anesthetist. Journal of Medical Humanities, 41 (1). pp. 41-51. ISSN 1041-3545 doi: 10.1007/s10912-019-09597-3

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2020) Curating the art school – propositions for developing a collaborative art space in the intersection between art school and community. ResearchCatalogue.

Costa, F. C. and Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2020) Chanchadas and intermediality: on musical numbers of Aviso aos Navegantes (Watson Macedo, Brazil, 1950). Alphaville: Journal of Film and Screen Media, 19. pp. 28-30. ISSN 2009-4078 doi: 10.33178/alpha.19.03

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2020) Peggy Ahwesh, Steve McQueen and Russell T Davis: reflections on the 1980s under lockdown. MIRAJ: Moving Image Review & Art Journal, 9 (2). pp. 270-275. ISSN 2045-6298 doi: 10.1386/miraj_00052_1

Guan, C. and O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076 (2020) Natural aesthetics: environments and perspectives in contemporary film theory. Screen, 61 (2). pp. 331-333. ISSN 0036-9543 doi: 10.1093/screen/hjaa020

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 (2020) Haghighi's typefaces. NESHAN, The Iranian Graphic Design Magazine (46/47). pp. 192-205.

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2020) Bringing the battle to Britain: Band of Brothers and television runaway production in the UK. Journal of British Cinema and Television, 17 (3). pp. 313-333. ISSN 1743-4521 doi: 10.3366/jbctv.2020.0531

Marshall, L. and Moys, J.-L. (2020) Readers’ experiences of Braille in an evolving technological world. Visible Language, 52 (1/2). ISSN 0022-2224

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2020) Samuel Beckett and intermedial performance: passing between. Samuel Beckett Today - Aujourd'hui, 32 (1). pp. 71-85. ISSN 0927-3131 doi: 10.1163/18757405-03201006

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2020) Pedagogies of place: Reading. Journal of Beckett Studies, 29 (1). pp. 74-82. ISSN 0309-5207 doi: 10.3366/jobs.2020.0285

Mulder, K. J., Lickiss, M., Black, A., Charlton-Perez, A. J. ORCID: https://orcid.org/0000-0001-8179-6220, McCloy, R. ORCID: https://orcid.org/0000-0003-2333-9640 and Young, J. S. (2020) Designing environmental uncertainty information for experts and non‐experts: does data presentation affect users' decisions and interpretations? Meteorological Applications, 27 (1). e1821. ISSN 1350-4827 doi: 10.1002/met.1821

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2020) 'The Biscuit Town': digital practice, spatiality and discoverability in Reading's heritage sector. Body, Space & Technology, 19 (1). pp. 153-173. ISSN 1470-9120 doi: 10.16995/bst.337

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2020) The blind spot of history: colonialism in Tabu. Observatorio (OBS*), 2020. pp. 27-38. ISSN 1646-5954 doi: 10.15847/obsOBS0001812

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2020) Passages to reality: the case of Brazilian cinema. Translocal, 3. pp. 47-65. ISSN 2184-1519

Needs, S. ORCID: https://orcid.org/0000-0003-3407-9637, Bull, S. ORCID: https://orcid.org/0000-0001-5129-1731, Bravo, J., Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, Little, G., Hart, J. ORCID: https://orcid.org/0000-0002-3382-6824 and Edwards, A. ORCID: https://orcid.org/0000-0003-2369-989X (2020) Remote videolink observation of model home sampling and home testing devices to simplify usability studies for point-of-care diagnostics. Wellcome Open Research, 5 (174). ISSN 2398-502X doi: 10.12688/wellcomeopenres.16105.1

Nemeth, T. ORCID: https://orcid.org/0000-0003-3871-5792 (2020) On Arabic justification. Journal of Electronic Publishing, 23 (1). ISSN 1080-2711 doi: 10.3998/3336451.0023.104

Rodriguez, V. (2020) The open constructed public sphere: Aeschylus’ The Suppliant Women in a version by David Greig. Humanities, 9 (1). 21. ISSN 2076-0787 doi: 10.3390/h9010021

Waldeck Villas Boas, M. ORCID: https://orcid.org/0000-0002-4822-632X (2020) Typography and nationalism: the past and modernism under Nazi rule. Journal of Visual Political Communication, 6 (1). pp. 37-80. ISSN 2633-3740 doi: 10.1386/jvpc_00003_1

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, Hignett, S., Lim, R. ORCID: https://orcid.org/0000-0003-1705-1480, Parkhurst, C. and Samuel, F. (2020) Explaining drug-resistant infection in community pharmacies through effective information design. Design for Health, 4 (1). pp. 82-104. ISSN 2473-5132 doi: 10.1080/24735132.2020.1731201

Willems, S. ORCID: https://orcid.org/0000-0002-2167-7091 and Warren, S. (2020) Presenting whilst retreating in the age of the corporate lanyard. Journal of Organizational Aesthetics, 9 (1). pp. 1-17. ISSN 2168-8575

Woynarski, L. ORCID: https://orcid.org/0000-0003-2516-0046 (2020) Performing the bio-urban in Bonnie Ora Sherk’s The Farm and Mierle Laderman Ukeles’s Flow City. Performance Research, 25 (2). pp. 124-131. ISSN 1469-9990 doi: 10.1080/13528165.2020.1752585

Woynarski, L. ORCID: https://orcid.org/0000-0003-2516-0046, Ong, A., Beer, T., Beaupark, S., Winn-Lenetsky, J., Tangen, R. and Nicholson-Sanz, M. (2020) Dossier: climate change and the decolonized future of theatre. Theatre Research International, 45 (2). pp. 179-208. ISSN 0307-8833 doi: 10.1017/S0307883320000085

Book or Report Section

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Minnion, A. and Judith, A. (2020) purpleSTARS – inclusive curation and production creates inclusive museums. In: Inclusive Digital Interactives: Best Practices, Innovative Experiments, and Questions for Research:. Smithsonian. ISBN 9780970835888

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2020) Television biopics: Questions of genre, nation, and medium. In: Cartmell, D. and Polasek, A. D. (eds.) A Companion to the Biopic:. Wiley Blackwell, Hoboken, New Jersey, USA, pp. 45-60. ISBN 9781119554813 doi: 10.1002/9781119554783.ch4

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2020) Children’s television and radio. In: Fournier, G. (ed.) La BBC et le service public de l'audiovisuel, 1922-1995. Agregation Anglais. Editions Ellipses, Paris, pp. 111-128. ISBN 9782340041127

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2020) Children’s television and radio. In: Fournier, G. (ed.) La BBC et le service public de l'audiovisuel, 1922-1995:. Agregation Anglais. Editions Ellipses, Paris, pp. 111-128. ISBN 9782340041127

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2020) “Random dottiness”: Samuel Beckett and the reception of Harold Pinter’s early dramas. In: Rakoczy, A., Hori Tanaka, M. and Johnson, N. (eds.) Influencing Beckett / Beckett Influencing:. Collection Karoli. L'Harmattan, Budapest & Paris, pp. 61-74. ISBN 9782343219110

Butler, A. (2020) Objects in time: artefacts in artists’ moving image. In: Murphy, J. and Rascaroli, L. (eds.) Theorizing Film Through Contemporary Art: Expanding Cinema. Film Culture in Transition. Amsterdam University Press. ISBN 9789462989467

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2020) Type specimens as learning tools. In: Misiak, M. and Harmsen, L. (eds.) Support independent type—the new culture of type specimens:. Slanted, Karlsruhe, pp. 18-19. ISBN 9783948440121

Major, P. (2020) 'Just another Kraut'?: The Wehrmacht Traitor as ‘Good German’ in Hollywood’s Decision before Dawn (1951). In: Purse, L., Purse, L. and Woelfel, U. (eds.) Mediating War and Identity: Figures of Transgression in 20th- and 21st-century War Representation:. Edinburgh University Press, Edinburgh. ISBN 9781474446266

McFrederick, M. ORCID: https://orcid.org/0000-0002-4816-8465 (2020) ‘The air is full of our cries’: staging Godot during apartheid South Africa. In: Beckett and Politics:. Palgrave Macmillan, pp. 195-211. ISBN 9783030471095 doi: 10.1007/978-3-030-47110-1

Miller, H. K. ORCID: https://orcid.org/0000-0001-5255-3764 (2020) Hitchcock’s spy films. In: Gottlieb, S. (ed.) Hitchcock Annual. Columbia University Press, pp. 117-127. ISBN 9780231199575 doi: 10.1353/hit.2020.0005

Miller, H. K. ORCID: https://orcid.org/0000-0001-5255-3764 (2020) Hitchcock’s spy films. In: Gottlieb, S. (ed.) Hitchcock Annual:. Columbia University Press, pp. 117-127. ISBN 9780231199575 doi: 10.1353/hit.2020.0005

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2020) El cine como inestética, la vida como no-cine: um estudio sobre la trilogía prohibida de Jafar Panahi. In: Campo, J., Crowder-Taraborrelli, T., Garavelli, C., Piedras, P. and Wilson, K. (eds.) El cine documental Una encrucijada estética y política Inquisiciones contemporáneas al sistema audiovisual de Javier Campo, Tomás Crowder-Ta:. Prometeo, Buenos Aires, pp. 155-173. ISBN 9789878331287

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2020) Passages to reality: the case of Brazilian cinema. In: Realist Cinema as World Cinema: Non-Cinema, Intermedial Passages. Film Culture in Transition. Amsterdam University Press, Amsterdam, pp. 173-198. ISBN 9789048539215 doi: 10.5117/9789462987517_ch07

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2020) Preface to the second enlarged edition. In: Pethő, Á., Cinema and Intermediality : The Passion for the In-Between. Cambridge Scholars Publishing, Newcastle upon Tyne, ix-xi. ISBN 9781527552067

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2020) Preface to the second enlarged edition. In: Pethő, Á., Cinema and Intermediality : The Passion for the In-Between:. Cambridge Scholars Publishing, Newcastle upon Tyne, ix-xi. ISBN 9781527552067

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2020) General introduction. In: Aragay, M., Botham, P. and Prado-Pérez, J. R. (eds.) World Political Theatre and Performance: Theories, Histories, Practices. Themes in Theatre (11). Brill Rodopi, Amsterdam, pp. 1-10. ISBN 9789004425804

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2020) General introduction. In: Aragay, M., Botham, P. and Prado-Pérez, J. R. (eds.) World Political Theatre and Performance: Theories, Histories, Practices.:. Themes in Theatre. Brill Rodopi, Amsterdam, pp. 1-10. ISBN 9789004425804

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2020) ‘What About the Burn Their Bra Bitches?’: debbie tucker green as the Willfully Emotional Subject. In: Adiseshiah, S. and Bolton, J. (eds.) debbie tucker green: Critical Perspectives. Palgrave MacMillan, Cham, Switzerland, pp. 45-66. ISBN 9783030345808 doi: 10.1007/978-3-030-34581-5_3

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2020) ‘What About the Burn Their Bra Bitches?’: debbie tucker green as the Willfully Emotional Subject. In: Adiseshiah, S. and Bolton, J. (eds.) debbie tucker green: Critical Perspectives:. Palgrave Macmillan, Cham, Switzerland, pp. 45-66. ISBN 9783030345808 doi: 10.1007/978-3-030-34581-5_3

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2020) Altamiraltamiraltamira. In: Ferris, N., Quinn, B., Stuart, M. and Wlash-Lister, A. (eds.) On Translation, Transmission & Transposition:. Bricks From The Kiln, London, pp. 65-116. ISBN 9780995683525

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2020) Non-Latin type design – some considerations. In: Barmettler, R. (ed.) Zurich Type Design. Triest Verlag, Triest. ISBN 9783038630432

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2020) Non-Latin type design – some considerations. In: Barmettler, R. (ed.) Zurich Type Design:. Triest Verlag, Triest. ISBN 9783038630432

Tyler, L. (2020) "Almost, but Not Quite': reading debbie tucker green's dramaturgy inside British playwriting studies. In: Adiseshiah, S. and Bolton, J. (eds.) debbie tucker green: Critical Perspectives. Palgrave Macmillan, pp. 129-150. ISBN 9783030345815

Tyler, L. (2020) "Almost, but Not Quite': reading debbie tucker green's dramaturgy inside British playwriting studies. In: Adiseshiah, S. and Bolton, J. (eds.) debbie tucker green: Critical Perspectives:. Palgrave Macmillan, pp. 129-150. ISBN 9783030345815

Wachendorff, I. (2020) Typographetics of urban spaces. The indication of discourse types and genres through letterforms and their materiality in multilingual urban spaces. In: Haralambulous, Y. (ed.) Proceedings of Grapholinguistics in the 21st Century, 2020:. Grapholinguistics and Its Applications. Fluxus Edition, Brest, pp. 361-415. ISBN 9782957054985 doi: 10.36824/2020-graf-wach

Wallers, C. ORCID: https://orcid.org/0000-0002-9843-7897 (2020) Star and Shadow Cinema and before : radical screening culture in Newcastle upon Tyne’. In: Newsinger, J., Presence, S. and Wayne, M. (eds.) Contemporary Radical Film Culture : Networks, Organisations and Activists. Routledge, London, pp. 203-212, 272. ISBN 9781138543614 doi: 10.4324/9781351006385-17

Wölfel, U. ORCID: https://orcid.org/0000-0001-9556-536X (2020) The end of transgression: Fritz Bauer as traitor on the German screen. In: Purse, L., Purse, L. and Wölfel, U. (eds.) Mediating War and Identity: Figures of Transgression in 20th- and 21st-Centuries War Representation:. Edinburgh University Press, pp. 75-96. ISBN 9781474446266

Conference or Workshop Item

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2020) ALTAMIRALTAMIRALTAMIRA. In: On Translation, Transmission & Transposition, 5 Jun 2019, London, UK, pp. 65-116. (Bricks from the kiln 4)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2020) ALTAMIRALTAMIRALTAMIRA. In: On Translation, Transmission & Transposition, 2019-06-05, London, UK, pp. 65-116.

Book

Bartley, S. (2020) Performing Welfare Applied Theatre, Unemployment, and Economies of Participation. Contemporary Performance InterActions. Palgrave Macmillan. ISBN 9783030448530 doi: 10.1007/978-3-030-44854-7

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Rowlands, A., Sheleff, M. and Spiess, S. (2020) Reading International - the book. Reading International / OnCurating.org, Reading, pp211. ISBN 9781912115686

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2020) Realist cinema as world cinema: non-cinema, intermedial passages, total cinema. Film Culture in Transition. Amsterdam University Press, Amsterdam. ISBN 9789462987517 doi: 10.5117/9789462987517

Poynor, R. (2020) David King: Designer, Activist, Visual Historian. Yale University Press, pp240. ISBN 9780300250107

Purse, L. and Wölfel, U. ORCID: https://orcid.org/0000-0001-9556-536X, eds. (2020) Mediating War and Identity: Figures of Transgression in 20th- and 21st-century War Representation. Edinburgh University Press, Edinburgh, pp. 1-13. ISBN 9781474446266

Pye, D., ed. (2020) V.F. Perkins on Movies. Wayne State University Press, pp484. ISBN 9780814346426

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 and Stewart, P., eds. (2020) Curating the digital. OnCurating Issues. OnCurating, Zurich, pp96. ISBN 9798639231421 (Curating, Digital Media, Contemporary Art, Art history)

Schilhab, T. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, eds. (2020) The materiality of reading. Aarhus University Press, pp154. ISBN 9788771849585

Woynarski, L. ORCID: https://orcid.org/0000-0003-2516-0046 (2020) Ecodramaturgies: theatre, performance and climate change. New Dramaturgies. Palgrave. ISBN 9783030558529 doi: 10.1007/978-3-030-55853-6

Thesis

Aishman, H. (2020) Diffractive curatorial practice: ripples, gaps and the space in-between. PhD thesis, University of Reading. doi: 10.48683/1926.00089322

Ashery, O. (2020) Revisiting Genesis: our death, our dying, our digital afterlife. PhD thesis, University of Reading. doi: 10.48683/1926.00120273

Camillini, G. (2020) Fortunato Depero and Depero futurista 1913–1927. PhD thesis, University of Reading. doi: 10.48683/1926.00096457

Larcombe, G. (2020) Learning through an autonomous experience of art as a social practice. PhD thesis, University of Reading. doi: 10.48683/1926.00096395

Papassissa, E. (2020) Conventions, traditionalism, Latinisation, and modernity in Armenian typefaces across type-making technologies from 1512 to 1977. PhD thesis, University of Reading. doi: 10.48683/1926.00099061

Pope, L. (2020) Suiting the action to the word: examining genre film remediations of Shakespeare’s plays. PhD thesis, University of Reading. doi: 10.48683/1926.00088955

Ravichandran, S. P. (2020) The development of typographic forms for the Kannada and Telugu scripts (1801–1900). PhD thesis, University of Reading. doi: 10.48683/1926.00099826

Spies, S. (2020) Choreographies of the Curatorial: Performative trajectories for choreography and dance in the museum. PhD thesis, University of Reading. doi: 10.48683/1926.00104246

Show/Exhibition

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2020) Tate lates power of bubble. [Show/Exhibition]

Crabtree, J., Evans, W., Chodzko, A., Bhriain, A. N., Marshall, A., Shah, A., Akingbade, A., Drew, B., Wright, C., Land, I., Shearing, J., Packer, J., Baldock, J., Brennan, M., Fahmy, M., Sami, M., Ho, M.-T. T., Macotela, O. V., Becker, P., Evans, R., Orme, R., Wolbers, S. O., Abbas, S. and Middleton, S. (2020) Towner International. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2020) Phase IV intersections - art/architecture. [Show/Exhibition]

Performance

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2020) Reading International #20, I CARE – Workshop and event with Ultra-red. [Performance]

Project

Bennett, B. ORCID: https://orcid.org/0009-0003-5311-6381 (2020) South London Gallery and Hauser and Wirth. [Project]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2020) Reading International. [Project] (Collection)

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 (2020) Adpater arabic typeface. [Project]

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2020) Passages of Brazilian cinema. [Project] (Collection)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2020) Waves - research residency. [Project] (Unpublished)

Image

Aigner, U., Allen, F., Ashton, E., Berthon-Moine, I., Biagioli, M., Biswas, S., Bodman, S., Bolland, E., Borra, C. E., Brinkmann, S., Carr, A. J., Cattle, R., Chan, S., Chevska, M., Coleman, K., Collins, S., Cooke, K., Cottell, F., Cowan, J., Creamer, A.-M., Cuddihy, M., Davies, E., Farhid, N., Finlay, S., Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150, Gertler, A., Godfrey-Isaacs, L., Greenan, A., Hällsten, J., O’Neill, M. R., Haukka, M., Hodge, S., Johanknecht, S., Kivland, S., Lloyd, L., Ludwig, K., Maclennan, R., Malacart, L., Manchot, M., Mariscal, C., Meynell, K., Mitchell, J., Mitrentse, C., Mooney, S., Mullaney, M., Novaczek, R., Oechsler, M., Olsen, R., Parker, J., Parris, J., Paz, A., Peppé, H., Robertson, H., Ruggaber, K., Schwartz, L., Scott, R., Sear, H., Séraphin, L., Sherbany, A., Siderfin, N., Skelton, P., Smith, R. ORCID: https://orcid.org/0000-0002-1546-3847, Spindler, S., Steed, C., Stockham, J., Taylor, D., Thompson, M., Throp, M., Thyes, M., Sutherland, R. V., Von Heyl, M., Voorsanger, J., Westerman, J., Wood, S. and Wright, E. (2020) Salon for a speculative future. [Image]

Video

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2020) Three public talks for the 2020 International Summer School of the Academy of Fine Arts and Design, University of Ljubljana : Identifying genres and styles, The type market & career options, and Studying typefaces to improve your briefs. [Video]

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149, Rattee, J. and Thacker, J. (2020) I, Sheep (A Filmpoem). [Video]

Stupart, L. (2020) After the Ice, the Deluge. [Video]

Stupart, L. (2020) Watershed. [Video]

Other

Bennett, B. ORCID: https://orcid.org/0009-0003-5311-6381 (2020) South London Gallery and Hauser and Wirth. South London Gallery.

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 (2020) Adpater arabic typeface. Rosetta Type Foundry, Rosetta Type Foundry.

Kshetrimayum, N. and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2020) Linotype Bengali typeface, a revival. Monotype.

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2020) Waves - research residency. Daedalus Street.

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Kshetrimayum, N. (2020) ABP branding logos & taglines for news channels. Ananda Bazar Patrika (ABP) Pvt Ltd.

This list was generated on Thu Sep 24 23:02:56 2026 UTC.