Items where Division is "School of Arts and Communication Design" and Year is 2017

Group by: Creators/Editors | Item Type | No Grouping

Number of items: 234.

Article

Barreiro, M. S. and Elduque, A. (2017) La mirada y el peso. Iconografía de la clase obrera en 'Chircales' y 'Tierra Nueva'. Cinémas d’Amérique Latine, 25. pp. 144-155. ISSN 1267-4397

Bartley, S. (2017) Hard labour and punitive welfare: the unemployed body at work in participatory performance. Research in Drama Education, 22 (1). pp. 62-75. ISSN 1356-9783 doi: 10.1080/13569783.2016.1263559

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2017) Broadcasting children's music. InFormation: Nordic Journal of Art and Research, 6 (2). pp. 1-16. ISSN 1893-2479 doi: 10.7577/information.v6i2.2275 (Special issue: Children's Music)

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) Formal writing, artist typefaces, and bread-and-butter type (part 2). Forum (33). pp. 7-10. ISSN 1472-0604

Elduque Busquets, A. (2017) Primer Plano: the popular face of censorship. L'Atalante. Revista de Estudios Cinematograficos, 23. pp. 49-62. ISSN 2340-6992

Elduque, A. (2017) Hungry gazes, digesting closeups: Pasolini, 'Porcile' and the politics of consumption. Screen, 58 (2). pp. 119-140. ISSN 1460-2474 doi: 10.1093/screen/hjx014

Ellison, C. (2017) Workshop: making beyond the post-medium condition. Visual Culture in Britain, 18 (2). pp. 133-162. ISSN 1941-8361 doi: 10.1080/14714787.2017.1353438

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2017) Deflationary tactics with the archive of life: contemporary Jewish art and popular culture. Journal of Modern Jewish Studies, 16 (1). pp. 38-56. ISSN 1472-5886 doi: 10.1080/14725886.2016.1242313

Garnett, R. (2017) Address: Critical irony, neo-authenticity and humour in the art we call public. Art and the Public Sphere, 1 (6). pp. 69-79. ISSN 2042-793X doi: 10.1386/aps.6.1-2.69_1

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (2017) Opening choices: Notorious (audiovisual essay). Movie: A Journal of Film Criticism (7). ISSN 2047-1661

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (2017) The Phantom Carriage: a revaluation (audiovisual essay). Movie: A Journal of Film Criticism (7). ISSN 2047-1661

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (2017) Opening choices: Notorious (audiovisual essay). Movie: a journal of film criticism (7). ISSN 2047-1661

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (2017) The Phantom Carriage: a revaluation (audiovisual essay). Movie: a journal of film criticism (7). ISSN 2047-1661

Lickiss, M., Mulder, K. J., Black, A., Charlton-Perez, A. J. ORCID: https://orcid.org/0000-0001-8179-6220, McCloy, R. A. ORCID: https://orcid.org/0000-0003-2333-9640 and Chandler, R. (2017) Developing a quick guide on presenting data and uncertainty. Weather, 72 (9). pp. 266-269. ISSN 1477-8696 doi: 10.1002/wea.2998

McFrederick, M. ORCID: https://orcid.org/0000-0002-4816-8465 (2017) Beckett at the Young Vic. Samuel Beckett Today / Aujourd'hui, 29 (2). pp. 243-255. ISSN 0927-3131 doi: 10.1163/18757405-02902003

McFrederick, M. ORCID: https://orcid.org/0000-0002-4816-8465 (2017) Beckett at the Young Vic. Samuel Beckett Today - Aujourd'hui, 29 (2). pp. 243-255. ISSN 0927-3131 doi: 10.1163/18757405-02902003

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2017) Staging Ireland's Dispossessed: Sarah Jane Scaife's Beckett in the City Project. Samuel Beckett Today / Aujourd'hui, 29 (2). pp. 361-374. ISSN 0927-3131 doi: 10.1163/18757405-02902012

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Pattie, D. (2017) Introduction: staging Beckett at the margins. Samuel Beckett Today / Aujourd'hui, 29 (2). pp. 227-230. ISSN 0927-3131 doi: 10.1163/18757405-02902001

Miller, H. K. ORCID: https://orcid.org/0000-0001-5255-3764 (2017) Cinema 66–8: the original London film-makers. The Moving Image Review & Art Journal (MIRAJ), 6 (1). pp. 8-23. ISSN 2045-6298 doi: 10.1386/miraj.6.1-2.8_1

Miller, H. K. ORCID: https://orcid.org/0000-0001-5255-3764 (2017) Vent d'est. Critical Quarterly, 59 (1). pp. 7-28. ISSN 0011-1562 doi: 10.1111/criq.12319

Mulder, K. J., Lickiss, M., Harvey, N. ORCID: https://orcid.org/0000-0003-0973-5794, Black, A., Charlton-Perez, A. ORCID: https://orcid.org/0000-0001-8179-6220, Dacre, H. ORCID: https://orcid.org/0000-0003-4328-9126 and McCloy, R. ORCID: https://orcid.org/0000-0003-2333-9640 (2017) Visualizing volcanic ash forecasts: scientist and stakeholder decisions using different graphical representations and conflicting forecasts. Weather, Climate and Society, 9 (3). pp. 333-348. ISSN 1948-8327 doi: 10.1175/WCAS-D-16-0062.1

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2017) Antropofagia e intermidialidade: o caso de como era gostoso o meu francês. Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual, 6 (1). ISSN 2316-9230 doi: 10.22475/rebeca.v6n1.479 (REBECA 11)

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2017) Kuarup, o filme. La Furia Umana, 30. ISSN 2037-0431

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2017) Le Parricide, le cinéma d’auteur et le Vigo de Salles Gomes. Archives, 109 (111). pp. 48-52.

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2017) Mysteries of Lisbon and intermedial history-telling. Aniki: Portuguese Journal of the Moving Image, 4 (2). pp. 375-391. ISSN 2183-1750

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2017) Tierra, utopía y mito fundador. De Glauber Rocha a Walter Salles. Enfoco (52). pp. 22-33.

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2017) Yaaba, cinefilia e realismo sem fronteiras. Revista África(s), 4 (7). pp. 61-70. ISSN 2446-7375

Player, M. ORCID: https://orcid.org/0000-0002-8785-488X (2017) Anarchy in Japan’s film industry: how punk rescued Japanese cinema. Punk & Post Punk, 6 (1). pp. 97-121. ISSN 2044-3706 doi: 10.1386/punk.6.1.97_1

Purse, L. (2017) Digital visceral: textural play and the flamboyant gesture in digital screen violence. Journal of Popular Film & Television, 45 (1). pp. 16-25. ISSN 0195-6051 doi: 10.1080/01956051.2017.1270137

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2017) Theatre without walls: the National Theatre of Scotland. Journal of Contemporary Drama in English, 5 (1). pp. 86-97. ISSN 2195-0156 doi: 10.1515/jcde-2017-0007

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2017) Learning from Dhaka. OnCurating (35). pp. 61-71. ISSN 2673-2904 (Decolonizing Art Institutions)

Singh, V. (2017) From handwritten copy to the printed page in Devanagari: investigating the curious case of Friedrich Max Müller. Journal of the Printing Historical Society (26). pp. 11-22. ISSN 0079-5321

Smart, B. (2017) ‘Drama for people ‘in the know’: Television World Theatre (BBC 1957-59) and Festival (BBC 1963-64). Historical Journal of Film, Radio and Television, 37 (1). pp. 34-48. ISSN 0143-9685 doi: 10.1080/01439685.2016.1272810

Waldeck Villas Boas, M. ORCID: https://orcid.org/0000-0002-4822-632X (2017) Perfect unbinding: the production and circulation of Beau Geste Press editions. Journal of Artists' Books, 41. pp. 4-13. ISSN 1085-1461

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2017) Research in graphic design. The Design Journal, 20 (5). pp. 549-559. ISSN 1460-6925 doi: 10.1080/14606925.2017.1347416

Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524 (2017) Streaming British youth television: online BBC Three as a transitional mome. Cinema Journal, 57 (1). pp. 140-146. ISSN 1527-2087 doi: 10.1353/cj.2017.0065

Wrigley, A. (2017) Higher education and public engagement: Open University and BBC drama co-productions on BBC2 in the 1970s. Journal of British Cinema and Television, 14 (3). pp. 377-393. ISSN 1755-1714 doi: 10.3366/jbctv.2017.0379

Book or Report Section

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2017) Children’s television and public service in contemporary Britain. In: Dinter, S. and Schneider, R. (eds.) Transdisciplinary Perspectives on Childhood in Contemporary Britain. Studies in Childhood, 1700 to the Present. Routledge, London, UK, pp. 87-102. ISBN 9781138232105

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2017) Myth. In: Ouellette, L. and Gray, J. (eds.) Keywords for Media Studies. New York University Press, New York, pp. 123-125. ISBN 9781479859610

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2017) Myth. In: Ouellette, L. and Gray, J. (eds.) Keywords for Media Studies:. New York University Press, New York, pp. 123-125. ISBN 9781479859610

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Burchardt, J. ORCID: https://orcid.org/0000-0001-9483-1494 (2017) Agents, beneficiaries and victims: picturing people on the land. In: Haigron, D. (ed.) The English Countryside: Representations, Identities, Mutations. Palgrave Macmillan, Basingstoke, pp. 61-82. ISBN 9783319532721 doi: 10.1007/978-3-319-53273-8

Black, A. (2017) Icons as carriers of information. In: Black, A., Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217, Lund, O. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Information design: research and practice. Routledge, London, UK, pp. 253-269. ISBN 9781472430700

Black, A., Bravo, J. ORCID: https://orcid.org/0000-0002-1013-8412, Brook, M., Carey, C., Goonasekera, M., Meredith, D., Olsson-Brown, A., Rosenorn-Lanng, D. and Vaux, E. (2017) Designing care bundle documentation to support the recognition and treatment of acute kidney injury: a route to quality improvement. In: Design for healthcare. Design for Social Responsibility. Gower, pp. 170-189. ISBN 9781472457424

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) Crisis, 1933 – the politicization of Futura. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 226-235. ISBN 9781786270931

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) Crisis, 1933 – the politicization of Futura. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface:. Laurence King, London, pp. 226-235. ISBN 9781786270931

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) Gerd Arntz. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 256-262. ISBN 9781786270931

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) Gerd Arntz. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface:. Laurence King, London, pp. 256-262. ISBN 9781786270931

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) How did Futura get to the Moon? In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 351-365. ISBN 9781786270931

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) How did Futura get to the Moon? In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface:. Laurence King, London, pp. 351-365. ISBN 9781786270931

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) Jan Tschichold and Futura. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 206-209. ISBN 9781786270931

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) Jan Tschichold and Futura. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface:. Laurence King, London, pp. 206-209. ISBN 9781786270931

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) Modernism and traditionalism: points of convergence in European typography, 1925–1950. In: Counter-Signals 2: Hieroglyphs of the anti-commodity. Counter-Signals (2). Other Forms, Chicago / Berlin, pp. 150-161. ISBN 9780998170800

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) Munich as a centre for typography 1926–1933. In: Eiesle, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 201-205. ISBN 9781786270931

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) Munich as a centre for typography 1926–1933. In: Eiesle, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface:. Laurence King, London, pp. 201-205. ISBN 9781786270931

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) Otto Neurath and the Vienna Method of Pictorial Statistics (Isotype). In: Esiele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 252-255. ISBN 9781786270931

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) Otto Neurath and the Vienna Method of Pictorial Statistics (Isotype). In: Esiele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface:. Laurence King, London, pp. 252-255. ISBN 9781786270931

Butler, A. (2017) 13 ways of looking at a lake. In: Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (eds.) The Long Take: Critical Approaches. Palgrave Macmillan, London, pp. 177-191. ISBN 9781137585721 doi: 10.1057/978-1-137-58573-8_12

Dyson C., M. ORCID: https://orcid.org/0000-0002-0920-4312 (2017) Information design research methods. In: Black, A., Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217, Lund, O. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Information Design: Research and Practice. Routledge, London, pp. 435-449. ISBN 9780415786324 doi: 10.4324/9781315585680

Dyson C., M. ORCID: https://orcid.org/0000-0002-0920-4312 (2017) Information design research methods. In: Black, A., Luna, P., Lund, O. and Walker, S. (eds.) Information Design: Research and Practice:. Routledge, London, pp. 435-449. ISBN 9780415786324 doi: 10.4324/9781315585680

Elduque Busquets, A. (2017) Trilhas cantadas: circulando pelo documentário musical brasileiro. In: Suppia, A., Guimarães, P. M. and Duccini, M. (eds.) Gêneros cinematográficos e Audiovisuais: Perspectivas Contemporâneas. Urutau/Margem da Palavra, Bragança Paulista.

Elduque, A. (2017) As Belair went by: an interview with Helena Ignez. In: Solomon, S. (ed.) Tropicália and Beyond: Dialogues in Brazilian Film History. Archive Books, Berlin, pp. 123-135. ISBN 9783943620726

Elduque, A. (2017) Canção, história e cinema. In: Carrega, J. and Vitorino Fernandez, S. (eds.) A Europa e os Impérios Coloniais na Literatura e no Cinema. Centro de Investigação em Artes e Comunicação da Universidade do Algarve, Faro, pp. 210-223. ISBN 9789898859242

Elduque, A. (2017) Cut it like a tambourine beat: Ricardo Miranda on the editing of 'The Age of the Earth'. In: Solomon, S. (ed.) Tropicália and Beyond: Dialogues in Brazilian Film History. Archive Books, Berlin, pp. 193-209. ISBN 9783943620726

Elduque, A. (2017) Esperar una mirada: la representación cinematográfica de la pena de muerte. In: Montero, J. F. and Planes Pedreño, J. A. (eds.) Cine entre rejas. Sans Soleil Ediciones, Vitoria-Gasteiz, pp. 203-241. ISBN 9788494735400

Elduque, A. (2017) Introduction. In: Elduque, A. (ed.) Contemporary Brazilian Music Film. University of Reading, Reading, pp. 5-15. ISBN 9780704915855

Elduque, A. (2017) Making it visible: an interview with Sérgio Roizenblit about 'The Miracle of Santa Luzia'. In: Elduque, A. (ed.) Contemporary Brazilian Music Film. University of Reading, Reading, pp. 103-109. ISBN 9780704915855

Elduque, A. (2017) Outskirts of reason: the dream in Días de papel and Chircales. In: Forrest, D., Harper, G. and Rayner, J. (eds.) Filmurbia: Screening the Suburbs. Palgrave Macmillan, Basingstoke, pp. 149-168. ISBN 9781137531759

Elduque, A. (2017) Vindicating the composer: an interview with Márcia Derraik about 'Where the Owl Sleeps'. In: Elduque, A. (ed.) Contemporary Brazilian Music Film. University of Reading, Reading, pp. 87-89. ISBN 9780704915855

Elduque, A. (2017) What about the end of the history? An interview with Hernani Heffner. In: Elduque, A. (ed.) Contemporary Brazilian Music Film. University of Reading, Reading, pp. 17-21. ISBN 9780704915855

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2017) Between seeing and knowing: Stephen Dwoskin’s Behindert and the camera’s caress. In: Clayton, S. and Mulvey, L. (eds.) Other Cinemas: Politics, Culture and British Experimental Film in the 1970s. IB Taurus, London. ISBN 9781784537180

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2017) Valences of subjectivity: the politics of personal narrative in video art. In: Feldman, Z. (ed.) Art and the Politics of Visibility: Contesting the Global, Local and the In-Between. I.B.Tauris & Co. Ltd., London, UK, pp. 137-166. ISBN 9781780769066

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2017) Opening movements in Ophuls: long takes, leading characters and luxuries. In: Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (eds.) The long take: critical approaches. Palgrave Close Readings in Film and Television. Palgrave Macmillan, London, UK, pp. 89-102. ISBN 9781137585721

Gonzalez Ortiz, C. ORCID: https://orcid.org/0000-0002-1420-8756 (2017) “Teatro Chileno y política: de macro y micropolíticas hacia un Giro Ciudadano". In: Cottin, G., González, M. and Mella, C. (eds.) Ideas desde el Reino Unido: críticas y propuestas para el desarrollo de Chile. Independent, London, pp. 37-52. ISBN 9789563687712

Hellmich, C. and Purse, L. (2017) Introduction: film and the epistemology of war. In: Hellmich, C. and Purse, L. (eds.) Disappearing War: Interdisciplinary Perspectives on Cinema and Erasure in the Post-9/11 World. Edinburgh University Press, Edinburgh, UK. ISBN 9781474416566

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2017) Future, Fortune, and the graphic design of information. In: Black, A., Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217, Lund, O. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Information Design: Research and Practice. Routledge, pp. 127-146. ISBN 9781472430700

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2017) Future, Fortune, and the graphic design of information. In: Black, A., Luna, P., Lund, O. and Walker, S. (eds.) Information Design: Research and Practice:. Routledge, pp. 127-146. ISBN 9781472430700

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Derhy Kurtz, B. W. L. (2017) Texture, realism, performance: exploring the intersection of transtexts and the contemporary sitcom. In: Derhy Kurtz, B. W. L. and Bourdaa, M. (eds.) The Rise of Transtexts: Challenges and Opportunities. Routledge Research in Cultural and Media Studies. Routledge, pp. 49-67. ISBN 9781138944671

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2017) Playing like a girl. In: Cesura // Accesso. Cesura // Accesso, London, pp. 236-256. ISBN 9780993024610

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2017) Playing like a girl. In: Cesura // Accesso:. Cesura // Accesso, London, pp. 236-256. ISBN 9780993024610

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2017) Towards an anti-humanist critique of immaterial labour, or how to negotiate with vampires. In: Sampanikou, E. D. (ed.) Audiovisual Posthumanism. Cambridge Scholars Publishing, Cambridge, pp. 343-354. ISBN 9781443881777

Kontopoulou, A. (2017) Democracy and community. In: Bicknell, A. (ed.) BP Art Exchange: Sowing Seeds, Generating Art, Ideas and a Connected Global Community. Tate Publishing, London, pp. 88-98.

Kontopoulou, A. (2017) Democracy and community. In: Bicknell, A. (ed.) BP Art Exchange: Sowing Seeds, Generating Art, Ideas and a Connected Global Community:. Tate Publishing, London, pp. 88-98.

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2017) A reappraisal of Baskerville's Greek types. In: Archer-Parré, C. and Dick, M. (eds.) John Baskerville: art and industry in the Enlightenment. The University of Liverpool Press, Liverpool, pp. 133-150.

Lloyd, K. ORCID: https://orcid.org/0000-0001-8941-9526 (2017) Katie Sokoler, your construction paper tears can’t hide your Yayoi Kusama-neurotic underbelly. In: Boyle, J. and Kao, W.-C. (eds.) The Retro-Futurism of Cuteness. Punctum Press, Santa Barbara, pp. 243-260. ISBN 9781947447288

Lloyd, K. ORCID: https://orcid.org/0000-0001-8941-9526 (2017) Katie Sokoler, your construction paper tears can’t hide your Yayoi Kusama-neurotic underbelly. In: Boyle, J. and Kao, W.-C. (eds.) The Retro-Futurism of Cuteness:. Punctum Press, Santa Barbara, pp. 243-260. ISBN 9781947447288

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2017) Choosing type for information design. In: Black, A., Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217, Lund, O. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Information design: research and practice. Routledge, Abingdon, pp. 479-486. ISBN 9780415786324

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2017) Choosing type for information design. In: Black, A., Luna, P., Lund, O. and Walker, S. (eds.) Information design: research and practice:. Routledge, Abingdon, pp. 479-486. ISBN 9780415786324

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2017) Design. In: Robbins, K. (ed.) The History of Oxford University Press. Volume 4: 1970–2004. Oxford University Press, Oxford, pp. 205-217. ISBN 9780199574797

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2017) Design. In: Robbins, K. (ed.) The History of Oxford University Press. Volume 4: 1970–2004:. Oxford University Press, Oxford, pp. 205-217. ISBN 9780199574797

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2017) Technology. In: Robbins, K. (ed.) The History of Oxford University Press. Volume 4: 1970–2004. Oxford University Press, Oxford, pp. 179-202. ISBN 9780199574797

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2017) Technology. In: Robbins, K. (ed.) The History of Oxford University Press. Volume 4: 1970–2004:. Oxford University Press, Oxford, pp. 179-202. ISBN 9780199574797

Moys, J.-L. (2017) Visual rhetoric in information design: designing for credibility and engagement. In: Black, A., Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217, Lund, O. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Information Design: research and practice. Routledge, Farnham, UK. ISBN 9780415786324 (Part 2, chapter 12)

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2017) Bernardet visto de longe. In: Pinto, I. and Margarido, O. (eds.) Bernardet 80: impacto e influência no cinema brasileiro. Paco Editorial/Abraccine, Jundiaí, pp. 21-32. ISBN 9788546207886

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2017) Beyond difference: female participation in the Brazilian film revival of the 1990s. In: Shaw, D. and Martin, D. (eds.) Latin American Women Filmmakers. I.B. Tauris, London/New York, pp. 31-47. ISBN 9781784537111

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2017) Colonialism as fantastic realism in 'Tabu'. In: Liz, M. (ed.) Portuguese Cinema: Globalizing the Nation. I.B. Tauris, London/New York.

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2017) Realist cinema as world cinema. In: Stone, R. and Cooke, P. (eds.) The Routledge Companion to World Cinema. Routledge, Abingdon-on-Thames, pp. 310-322. ISBN 9781138918801

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2017) The horizontal spread of a vertical malady: cosmopolitanism and history in Pernambuco’s recent cinematic sensation. In: Delgado, M. M., Hart, S. M. and Johnson, R. (eds.) A Companion to Latin American Cinema. Wiley Blackwell Companions to National Cinemas. Wiley-Blackwell, Hoboken, New Jersey, pp. 343-355. ISBN 9781118552889

O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076 (2017) Roberto Rossellini presents. In: Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (eds.) The Long Take: Critical Approaches. Palgrave Close Readings in Film and Television. Palgrave Macmillan, London, pp. 117-132. ISBN 9781137585721

Purse, L. (2017) Ambiguity, ambivalence and absence in Zero Dark Thirty. In: Purse, L. and Hellmich, C. (eds.) Disappearing War Interdisciplinary Perspectives on Cinema and Erasure in the Post-9/11 World. Edinburgh University Press, Edinburgh, pp. 131-148. ISBN 9781474416566

Purse, L. (2017) Between phonographic perfection and resistance: Titãs – life even looks like a party. In: Elduque Busquets, A. (ed.) Contemporary Brazilian Music Film. University of Reading, Reading, pp. 91-98. ISBN 9780704915855

Purse, L. (2017) Confronting the impossibility of impossible bodies: Tom Cruise and the ageing male action hero movie. In: Yu, S. Q. and Austin, G. (eds.) Revisiting Star Studies: Cultures, Themes and Methods. Edinburgh University Press, Edinburgh, pp. 162-184, 320 pages. ISBN 9781474404310

Purse, L. (2017) Working space: gravity (Alfonso Cuarón) and the digital long take. In: Pye, D. and Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (eds.) The Long Take: Critical Approaches. Palgrave Close Readings in Film and Television. Palgrave Macmillan, London, pp. 221-238. ISBN 9781137585721

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2017) Being singular/plural in the exhibition context: curatorial subjects at documenta 5, dX, D12, d(13). In: Buurman, N. and Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (eds.) documenta. Curating the History of the Present. On-Curating, 33 (33). On-Curating, Zurich, pp. 76-88. ISBN 9781546946120

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2017) Invisible philosophers, my fellow travelers. In: Baltensperger + Siepert, Baltensperger, S. and Siepert, D. (eds.) Invisible philosophy. Amsel Verlag, Zurich. ISBN 9783906325170

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2017) Propositions on curating, or how much curating is involved in social change. In: Krämer, N. and Müller, P. (eds.) With: A Bookazine on Collaboration between Cultures, Art Forms, and Disciplines. Connecting Spaces, Zurich University of the Arts, Zürich.

Solomon, S. (2017) Introduction. In: Solomon, S. (ed.) Tropicália and Beyond: Dialogues in Brazilian Film History. Archive Books and University of Reading, Berlin, pp. 7-31. ISBN 9783943620726

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2017) Marie Neurath: designing information books for young people. In: Black, A., Lund, O., Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Information design research and practice. Routledge, pp. 117-126. ISBN 9780415786324

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2017) Marie Neurath: designing information books for young people. In: Black, A., Lund, O., Luna, P. and Walker, S. (eds.) Information design research and practice:. Routledge, pp. 117-126. ISBN 9780415786324

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2017) The contribution of typography and information design to health communication. In: Cooper, R. and Tsekleves, E. (eds.) Design for health. Routledge, pp. 92-109. ISBN 9781472457424

Conference or Workshop Item

Tam, K. (2017) Trust in Chinese–English bilingual documents: a heuristic for typographic decision-making. In: Typography Day Colombo 2017, 24–25 Feb 2017, Colombo, Sri Lanka.

Book

Angelaki, V. (2017) Social and political theatre in 21st-century Britain: staging crisis. Methuen Drama Engage. Bloomsbury, London, pp288. ISBN 9781474213172

Black, A., Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217, Lund, O. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, eds. (2017) Information design: research and practice. Routledge, London, pp600. ISBN 9780415786324

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International: CRASH! ‘Xerox Interview Book’. Reading International. ISBN 9781912115716

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International: Eggy + Seedy + Friends - ‘All Day Breakfast’. Reading International. ISBN 9781912115006

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Hunt, A. and Marshall, B. (2017) Reading International: Bertie Marshall ‘Wilde Re-Write’. Reading International. ISBN 9781912115709

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Worley, M. ORCID: https://orcid.org/0000-0002-3049-8714, King, S. and Hunt, A. (2017) Reading International: CRASH! ‘A Better Britain II: Britlins’. Reading International. ISBN 9781912115723

Elduque, A., ed. (2017) Contemporary Brazilian music film. University of Reading, Reading, pp115. ISBN 9780704915855

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2017) Affectation Correspondence. Tombstone Press, London, UK, pp312. ISBN 9780957675612

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2017) Sic. Y Press, London, UK, pp345. ISBN 9781389201875

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2017) Wollstonochlincraft 1791-1971. The Good Reader. MA BIBLIOTHÈQUE, London, UK, pp16. ISBN 9781910055328

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D., eds. (2017) The long take: critical approaches. Palgrave Close Readings in Film and Television. Palgrave Macmillan, London, UK. ISBN 9781137585721

Hellmich, C. and Purse, L., eds. (2017) Disappearing war: interdisciplinary perspectives on cinema and erasure in the post-9/11 world. Edinburgh University Press, Edinburgh, pp216. ISBN 9781474416566

Kolb, R., Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, Ahmed, S., Allain Bonilla, M.-L., Choi, B., Danon, E., Farago, C., van der Heide, Y., Mabaso, N., Mdluli, S., Merali, S., Muñiz-Reed, I., Patel, S., Jain, R., Raqs Media, C., Voegele, S., Saner, P., Wei, W. T., Williamson, S. J., Wintle, C. and Wong, M. (2017) Decolonizing Art Institutions. On-Curating, 35 (35). On-Curating, Zurich, pp142. ISBN 9781981991747

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746, Pattie, D. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, eds. (2017) Staging Beckett at the Margins / Autres scènes beckettiennes. Samuel Beckett Today / Aujourd'hui, 29 (2). Brill, Leiden.

Nemeth, T. ORCID: https://orcid.org/0000-0003-3871-5792 (2017) Arabic type-making in the machine age: the influence of technology on the form of Arabic type, 1908–1993. Islamic Manuscripts and Books, 14. Brill Academic Publishers, Leiden ⸱ Boston, pp509. ISBN 9789004303775 doi: 10.1163/9789004349308

Nemeth, T. ORCID: https://orcid.org/0000-0003-3871-5792 (2017) Arabic type-making in the machine age: the influence of technology on the form of Arabic type, 1908–1993. Islamic Manuscripts and Books. Brill Academic Publishers, Leiden ⸱ Boston, pp509. ISBN 9789004303775 doi: 10.1163/9789004349308

O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076 (2017) Film and the natural environment: elements and atmospheres. Short Cuts. Wallflower Press, London, pp114. ISBN 9780231182652

Poynor, R. (2017) National theatre posters: a design history. Unit Editions, London, pp256. ISBN 9780995666436

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, Kolb, R., Clausen / Szuper Gallery, S. ORCID: https://orcid.org/0000-0002-6536-6236, Alves, M. T., Durham, J., Keller, S., Ponger, L., Rosen, R. and Zhao, Z. (2017) De-Colonizing Art Institutions: Artists’ Book. On-Curating, 34 (34). On-Curating, Zurich, pp108. ISBN 9781982088897

Russell, J. (2017) DOGGO. Miami and Zurich: NAME and Zurich Kunsthalle, Miami/Zurich. ISBN 9780997494020

Solomon, S., ed. (2017) Tropicália and beyond: dialogues in Brazilian film history. Archive Books and University of Reading, Berlin, pp304. ISBN 9783943620726

Solomon, S. (2017) William Faulkner in Hollywood: screenwriting for the studios. The South on Screen. University of Georgia Press, Athens, GA, pp320. ISBN 9780820351131

Thesis

Courage, T. V. (2017) Contemporary Chinese independent cinema: urban spaces, mobility, memory. PhD thesis, University of Reading.

Husanovic, E. (2017) Dis-Orient Express: belly dancing, hybrid identities and female oriental ‘other’. PhD thesis, University of Reading.

Kim, C. J. H. (2017) Painting in the expanded field from the perspective of Merleau-Ponty’s phenomenology: a practice-based investigation on Western and Eastern approaches. PhD thesis, University of Reading.

Latto, A. (2017) The fragmented text/the fragmented self: exploring the limits of storytelling practice. PhD thesis, University of Reading.

Marman, D. T. (2017) Empowering communities through theatre: an applied theatre model for Botswana. PhD thesis, University of Reading.

McFrederick, M. ORCID: https://orcid.org/0000-0002-4816-8465 (2017) Staging Beckett: a production history of Samuel Beckett’s drama in London (1955 – 2010). PhD thesis, University of Reading.

Singh, V. (2017) Devanagari type in the twentieth century. PhD thesis, University of Reading.

Stupart, L. (2017) Becoming object: positioning a feminist art practice. PhD thesis, Goldsmiths, University of London. doi: 10.25602/GOLD.00020117

Stupart, L. (2017) Becoming object: positioning a feminist art practice. PhD thesis, University of Reading. doi: 10.25602/GOLD.00020117

Show/Exhibition

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Hollinworth, N. (2017) Madhouse My House: an immersive reclaiming of old long stay hospitals. Hackney Museum Exhibition. [Show/Exhibition]

Bennett, B. ORCID: https://orcid.org/0009-0003-5311-6381 (2017) Dissonance. [Show/Exhibition]

Clarke, A., Cooke, K., Roberts, M. M., Holmes, D., Iveson, M., Jenkins, T., Kivland, S., Nader, M., Woodham, N. and Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2017) Decorative dormitories for sleep workers. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International 1: Matt Copson and Alastair MacKinven ‘Eggy and Seedy’. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International 2: CRASH! presents ‘A Better Britain II: Britlins’. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International 3: Abel Auer ‘how a black void replaces the white cube and a painting moves from the fine to the performing arts’. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International 4: Rochelle Goldberg, Veit Laurent Kurz, Stefan Tcherepnin, Hanna Törnudd ‘Ante Phylloxera’. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International 5: the critic as artist. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Rehearsing Szuper Gallery. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) Bonobo. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) I will survive, video, 8:05mins. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) Soviart. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) Work, Arbeit, Rabota. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) Bonobo. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) I will survive, video, 8:05mins. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) Soviart. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) Work, Arbeit, Rabota. [Show/Exhibition]

Crabtree, J. and Evans, W. (2017) Gullet. [Show/Exhibition]

Crabtree, J., Evans, W., Lock, T., Wakeford, N. and Woodhouse, L. (2017) Maximum overdrive. [Show/Exhibition]

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2017) The Immigrants. [Show/Exhibition]

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 (2017) All that is data that melts into air. [Show/Exhibition]

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 (2017) Study for a pavilion: Askeaton. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2017) Notebook architecture at Kunstgriff. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2017) Plan Unplan. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2017) Home is not a Place. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2017) Ir re par sur. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2017) They call us screamers. [Show/Exhibition]

Rowlands, A. and Williams, M. (2017) Our words return in patterns. [Show/Exhibition]

Russell, J. (2017) Against interpretation. [Show/Exhibition]

Russell, J. (2017) As above, so below: portals, visions, spirits & mystics. [Show/Exhibition]

Russell, J. (2017) DOGGO. [Show/Exhibition]

Russell, J. (2017) Encore! [Show/Exhibition]

Project

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Hollinworth, N. (2017) ‘From the Outside In’ art award box, log and workshop plans. [Project]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2017) Sensory Objects Enterprise - Co-Development and Start Up project AHRC Follow on Fund Project pupleSTARS. [Project]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International. [Project]

Ellison, C. (2017) Let's interface the music and dance. [Project] (Collection)

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2017) Wollstonochlincraft. [Project] (Collection)

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2017) Ophuls and film style. [Project] (Collection)

Kontopoulou, A. (2017) Democracy. [Project] (Collection)

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 (2017) Temporal Data Study. [Project] (Collection)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2017) Chelsea Embankment - London. [Project]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2017) With, and, or, without. [Project] (Collection)

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2017) Fonts for classical texts in a digital age. [Project] (Collection)

Rowlands, A. (2017) Our words return in patterns. [Project] (Collection)

Rowlands, A. and Williams, M. (2017) On Reading. [Project]

Video

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2017) Academy visual history with Carlos Diegues. [Video]

Other

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Hollinworth, N. (2017) ‘From the Outside In’ art award box, log and workshop plans. Orleans House Gallery, Orleans House Gallery.

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2017) This way out of England: Gallery House in retrospect. Raven Row.

Hudson, J. and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2017) Murty Bangla typeface. Harvard University Press.

Hudson, J. and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2017) Murty Kannada typeface. Harvard University Press.

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2017) Chelsea Embankment - London. Tideways, Royal Borough of Kensington and Chelsea, TFL, Thames Waterways, London.

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Kshetrimayum, N. (2017) ABP 2015 Bengali typeface. Ananda Bazar Patrika, Kolkata, India.

Rowlands, A. and Williams, M. (2017) On Reading. Bergen Kunsthall, Bergen, Norway.

This list was generated on Sun Aug 9 23:10:44 2026 UTC.