Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2026)
The paradox of distinction: British television series in their golden age.
Caliban, 75.
ISSN 2431-1766
doi: 10.4000/16dd8
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798
(2026)
TO SEE YOU (IS TO LOVE YOU): NOVAK VARIATIONS.
Research in Film and History.
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ISSN 2627-5848
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2026)
The vicarious affect: dying for art in Chinese cinema.
In: Pethő, Á. (ed.)
Affective Intermediality: Moving Images Between Media, Sensation and Reality:.
Palgrave, London, pp. 119-138.
ISBN 9783032017482
doi: 10.1007/978-3-032-01749-9_6
Purse, L. (2026) Taking a beating: historicising the US action heroine as “punchbag”. In: Berridge, S. and Boyle, K. (eds.) Routledge Companion to Gender, Violence & Popular Culture:. Routledge Companion to Gender book series. Routledge, London. (In Press)
Reid, T.
ORCID: https://orcid.org/0000-0002-4183-0778
(2026)
Playwriting and its contexts: The Traverse.
In: Cochrane, C., Goddard, L., Hindson, C. and Reid, T.
ORCID: https://orcid.org/0000-0002-4183-0778 (eds.)
The Routledge Companion to Twentieth Century British Theatre and Performance Volume Two - 1950-2000.
Routledge, London and New York, pp. 337-348.
ISBN 9780367495725
doi: 10.4324/9781003046691-31
Reid, T.
ORCID: https://orcid.org/0000-0002-4183-0778
(2026)
Playwriting and its contexts: The Traverse.
In: Cochrane, C., Goddard, L., Hindson, C. and Reid, T. (eds.)
The Routledge Companion to Twentieth Century British Theatre and Performance Volume Two - 1950-2000:.
Routledge, London and New York, pp. 337-348.
ISBN 9780367495725
doi: 10.4324/9781003046691-31