Chamarette, J.
ORCID: https://orcid.org/0000-0003-0701-1514
(2022)
Dwoskin: disability, diaspora, dysphoria.
Jewish Film and New Media, 10 (2).
ISSN 2169-0332
doi: 10.1353/jfn.2022.a914337
Donaldson, L. F., Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798, Purse, L., Pye, D. and Shambu, G.
(2022)
Roundtable: Movie: a journal of film criticism and the past, present, and future of film criticism.
Movie: A Journal of Film Criticism (10).
pp. 116-136.
ISSN 2047-1661
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D.
(2022)
Le Plaisir: voices and viewpoints.
NECSUS, Spring '22.
ISSN 2213-0217
Greene, A.‐m., Dean, D., Bartley, S. and McAvinchey, C. (2022) Locked up and down: incarceration, care, and art in a pandemic. Gender, Work & Organization, 29 (4). pp. 1346-1359. ISSN 1468-0432 doi: 10.1111/gwao.12801
Harrison, S. P.
ORCID: https://orcid.org/0000-0001-5687-1903, Villegas-Diaz, R.
ORCID: https://orcid.org/0000-0001-5036-8661, Cruz-Silva, E., Gallagher, D., Kesner, D., Lincoln, P., Shen, Y., Sweeney, L., Colombaroli, D., Ali, A., Barhoumi, C., Bergeron, Y., Blyakharchuk, T., Bobek, P., Bradshaw, R., Clear, J. L., Czerwiński, S., Daniau, A.-L., Dodson, J., Edwards, K. J., Edwards, M. E., Feurdean, A., Foster, D., Gajewski, K., Gałka, M., Garneau, M., Giesecke, T., Gil Romera, G., Girardin, M. P., Hoefer, D., Huang, K., Inoue, J., Jamrichová, E., Jasiunas, N., Jiang, W., Jiménez-Moreno, G., Karpińska-Kołaczek, M., Kołaczek, P., Kuosmanen, N., Lamentowicz, M., Lavoie, M., Li, F., Li, J., Lisitsyna, O., López-Sáez, J. A., Luelmo-Lautenschlaeger, R., Magnan, G., Magyari, E. K., Maksims, A., Marcisz, K., Marinova, E., Marlon, J., Mensing, S., Miroslaw-Grabowska, J., Oswald, W., Pérez-Díaz, S., Pérez-Obiol, R., Piilo, S., Poska, A., Qin, X., Remy, C. C., Richard, P. J. H., Salonen, S., Sasaki, N., Schneider, H., Shotyk, W., Stancikaite, M., Šteinberga, D., Stivrins, N., Takahara, H., Tan, Z., Trasune, L., Umbanhowar, C. E., Väliranta, M., Vassiljev, J., Xiao, X., Xu, Q., Xu, X., Zawisza, E., Zhao, Y., Zhou, Z. and Paillard, J.
(2022)
The Reading Palaeofire Database: an expanded global resource to document changes in fire regimes from sedimentary charcoal records.
Earth System Science Data, 14 (3).
pp. 1109-1124.
ISSN 1866-3508
doi: 10.5194/essd-14-1109-2022
McMullan, A.
ORCID: https://orcid.org/0000-0002-2531-3746
(2022)
Barthes, Beckett and the theatre: three dialogues.
Paragraph, 45 (2).
pp. 172-186.
ISSN 0264-8334
doi: 10.3366/para.2022.0395
Bartley, S. (2022) Peopling the theatre in a time of crisis. In: Wallace, C., Escoda, C., Monforte, E. and Ramón Prado-Pérez, J. (eds.) Crisis, Representation and Resilience: Perspectives on Contemporary British Theatre:. Methuen Drama Engage. Bloomsbury, London, 256. ISBN 9781350180857
Bartley, S. (2022) 'How we open the doors to a community’: creative collaborations and aesthetic strategies in social isolation. In: Bissell, L. and Weir, L. (eds.) Performance in a Pandemic. Routledge, London, pp. 79-86. ISBN 9780367761349 doi: 10.4324/9781003165644-12
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2022)
Alien or familiar: sounds and images in The Twilight Zone, ‘The Invaders’.
In: Cardwell, S., Bignell, J. and Donaldson, L. F. (eds.)
Moments in Television: Sound/image:.
The Television Series.
Manchester University Press, Manchester, pp. 15-37, 248 pages.
ISBN 9781526149190
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2022)
Black screens: Beckett and television technologies.
In: Rapcsak, B., Nixon, M.
ORCID: https://orcid.org/0000-0002-3730-1785 and Schweighauser, P. (eds.)
Beckett and Media.
Manchester University Press, Manchester, pp. 177-194, 248.
ISBN 9781526145833
doi: 10.7765/9781526145840.00018
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2022)
Grand designs: television, style and substance in The Time Tunnel.
In: Cardwell, S., Bignell, J. and Donaldson, L. F. (eds.)
Moments in Television: Substance/style:.
The Television Series.
Manchester University Press, Manchester, pp. 202-224, 258 pages.
ISBN 9781526148780
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2022)
Screen and stage space in Beckett’s theatre plays on television.
In: Wrigley, A. and Wyver, J. (eds.)
Screen Plays: Theatre Plays on British Television.
Manchester University Press, Manchester, pp. 226-245.
ISBN 9780719097928
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2022)
Vanity Fair (1967) and the contradictions of colour.
In: Cardwell, S., Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, L. F. (eds.)
Moments in Television: Complexity/simplicity.
The Television Series.
Manchester University Press, Manchester, pp. 192-215, 280 pages.
ISBN 9781526148759
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2022)
Imagens do Mar. Visões do Paraíso no Cinema Brasileiro Atual.
In: Lusvarghi, L., Alvim, L. B. and Lopes, D. C. (eds.)
Estudos de Cinema: Retrospectiva e Perspectivas:.
Polytheama, São Paulo, pp. 16-36.
ISBN 9786599619304
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2022)
An intermedial reading of Glauber Rocha's Cosmogony.
In: Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748, Corrêa de Araújo, L. and De Luca, T. (eds.)
Towards an Intermedial History of Brazilian Cinema.
Edinburgh Studies in Film and Intermediality.
Edinburgh University Press, Edinburgh, pp. 323-344.
ISBN 9781474452984
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2022)
An intermedial reading of Glauber Rocha's Cosmogony.
In: Nagib, L., Corrêa de Araújo, L. and De Luca, T. (eds.)
Towards an Intermedial History of Brazilian Cinema:.
Edinburgh Studies in Film and Intermediality.
Edinburgh University Press, Edinburgh, pp. 323-344.
ISBN 9781474452984
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2022)
The reality of art: an intermedial analysis of Ossessione.
In: Blos-Jáni, M., Király, H., Lakatos, M., Pieldner, J. and Sándor, K. (eds.)
Intermedial Encounters: Studies in Honour of Ágnes Pethő:.
Scientia Publishing House, Cluj-Napoca, pp. 359-372.
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748, Corrêa de Araújo, L. and De Luca, T.
(2022)
Introduction.
In: Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748, Corrêa de Araújo, L. and De Luca, T. (eds.)
Towards an Intermedial History of Brazilian Cinema.
Edinburgh Studies in Film and Intermediality.
Edinburgh University Press, pp. 1-14.
ISBN 9781474452984
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748, Corrêa de Araújo, L. and De Luca, T.
(2022)
Introduction.
In: Nagib, L., Corrêa de Araújo, L. and De Luca, T. (eds.)
Towards an Intermedial History of Brazilian Cinema:.
Edinburgh Studies in Film and Intermediality.
Edinburgh University Press, pp. 1-14.
ISBN 9781474452984
Player, M.
ORCID: https://orcid.org/0000-0002-8785-488X
(2022)
Masamune Shirow.
In: McFarlane, A., Murphy, G. J. and Schmeink, L. (eds.)
Fifty Key Figures in Cyberpunk Culture.
Routledge Key Guides.
Routledge, London, pp. 194-199.
ISBN 9780367549176
Player, M.
ORCID: https://orcid.org/0000-0002-8785-488X
(2022)
Masamune Shirow.
In: McFarlane, A., Murphy, G. J. and Schmeink, L. (eds.)
Fifty Key Figures in Cyberpunk Culture:.
Routledge Key Guides.
Routledge, London, pp. 194-199.
ISBN 9780367549176
Reid, T.
ORCID: https://orcid.org/0000-0002-4183-0778
(2022)
Dystopian dramaturgies: living in the ruins.
In: Tönnies, M. and Voights, E. (eds.)
Twenty-First Century Anxieties.
Contemporary Drama in English Studies (32).
De Gruyter, Berlin, Boston, pp. 87-102.
ISBN 9783110758252
doi: 10.1515/9783110758252-007
Reid, T.
ORCID: https://orcid.org/0000-0002-4183-0778
(2022)
Dystopian dramaturgies: living in the ruins.
In: Tönnies, M. and Voights, E. (eds.)
Twenty-First Century Anxieties:.
Contemporary Drama in English Studies.
de Gruyter, Berlin, Boston, pp. 87-102.
ISBN 9783110758252
doi: 10.1515/9783110758252-007
Lees, D.
ORCID: https://orcid.org/0000-0002-3787-3740,
(2022)
Evidence to the inquiry of the Communications and Digital Committee of the House of Lords, ‘A Creative Future’.
A Creative Future.
Report.
UK Parliament, London.
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601 and Woods, F.
ORCID: https://orcid.org/0000-0001-8901-6524
(2022)
An introduction to television studies. 4th edition.
Routledge, London, pp336.
ISBN 9781138665811
doi: 10.4324/9781315619675
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601 and Woods, F.
ORCID: https://orcid.org/0000-0001-8901-6524
(2022)
An introduction to television studies. 4th edition.
Routledge, London, pp336.
ISBN 9781138665811
doi: 10.4324/9781315619675
Cardwell, S., Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601 and Fife Donaldson, L., eds.
(2022)
Complexity/simplicity: moments in television.
The Television Series.
Manchester University Press, Manchester, pp280.
ISBN 9781526148759
Cardwell, S., Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601 and Fife Donaldson, L., eds.
(2022)
Complexity/simplicity: moments in television.
The Television Series.
Manchester University Press, Manchester, pp280.
ISBN 9781526148759
Cardwell, S., Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601 and Fife Donaldson, L., eds.
(2022)
Sound/image: moments in television.
The Television Series.
Manchester University Press, Manchester, pp248.
ISBN 9781526149190
Cardwell, S., Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601 and Fife Donaldson, L., eds.
(2022)
Sound/image: moments in television.
The Television Series.
Manchester University Press, Manchester, pp248.
ISBN 9781526149190
Cardwell, S., Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601 and Fife Donaldson, L., eds.
(2022)
Substance/style: moments in television.
The Television Series.
Manchester University Press, Manchester, pp258.
ISBN 9781526148780
Cardwell, S., Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601 and Fife Donaldson, L., eds.
(2022)
Substance/style: moments in television.
The Television Series.
Manchester University Press, Manchester, pp258.
ISBN 9781526148780
Fife Donaldson, L. and Purse, L., eds. (2022) Issue 10. Movie: A Journal of Film Criticism, 10. University of Warwick. (ISSN 2047-1661)
Fife Donaldson, L. and Purse, L., eds. (2022) Issue 10. Movie: A Journal of Film Criticism. University of Warwick.
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748, Corrêa de Araújo, L. and De Luca, T., eds.
(2022)
Towards an intermedial history of Brazilian cinema.
Edinburgh Studies in Film and Intermediality.
Edinburgh University Press, pp304.
ISBN 9781474452984
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748, Corrêa de Araújo, L. and De Luca, T., eds.
(2022)
Towards an intermedial history of Brazilian cinema.
Edinburgh Studies in Film and Intermediality.
Edinburgh University Press, pp304.
ISBN 9781474452984
Woods, F.
ORCID: https://orcid.org/0000-0001-8901-6524
(2022)
Period drama.
Edinburgh University Press, Edinburgh, pp187.
ISBN 9781474462815
Woods, F.
ORCID: https://orcid.org/0000-0001-8901-6524
(2022)
Period drama.
Edinburgh University Press, Edinburgh, pp187.
ISBN 9781474462815
Kenward-Abdollahyan, J.
ORCID: https://orcid.org/0000-0002-3513-9585
(2022)
Politics and realism in the films of Jafar Panahi and Abbas Kiarostami.
PhD thesis, University of Reading.
doi: 10.48683/1926.00116788
Lees, D.
ORCID: https://orcid.org/0000-0002-3787-3740
(2022)
The Burning.
[Video]
(Sightlines: Filmmaking in the Academy Issue 4 2022)