Al-Taee, N. (2019) Live canvas: digital interface as creative medium. PhD thesis, University of Reading. doi: 10.48683/1926.00084824
Allen, K.
ORCID: https://orcid.org/0000-0001-7981-862X
(2019)
PurpleSTARS DJ for animal magic, MERL late silent disco part of being human festival.
[Show/Exhibition]
Allen, K.
ORCID: https://orcid.org/0000-0001-7981-862X
(2019)
PurpleSTARS DJ for animal magic, MERL late silent disco part of being human festival.
[Show/Exhibition]
Allen, K.
ORCID: https://orcid.org/0000-0001-7981-862X
(2019)
PurpleSTARS presentation at creative bridges SEN conference.
[Show/Exhibition]
Allen, K.
ORCID: https://orcid.org/0000-0001-7981-862X
(2019)
PurpleSTARS presentation at creative bridges SEN conference.
[Show/Exhibition]
Allen, K.
ORCID: https://orcid.org/0000-0001-7981-862X
(2019)
Sensory Objects.
[Project]
(Collection)
Allen, K.
ORCID: https://orcid.org/0000-0001-7981-862X and Headon, K.
(2019)
Suitcase stories movement Tate Exchange.
Soundcloud, London, UK.
Allen, K.
ORCID: https://orcid.org/0000-0001-7981-862X and Headon, K.
(2019)
Suitcase stories movement Tate Exchange.
[Project]
Allen, K.
ORCID: https://orcid.org/0000-0001-7981-862X and Minnion, A.
(2019)
Pride of place.
[Show/Exhibition]
Allen, K.
ORCID: https://orcid.org/0000-0001-7981-862X, Headon, K. and Minnion, A.
(2019)
purpleSTARS virtual reality quad bike experience at the Berkshire Show 2019.
[Artefact]
Allen, K.
ORCID: https://orcid.org/0000-0001-7981-862X, Headon, K. and Minnion, A.
(2019)
purpleSTARS virtual reality quad bike experience at the Berkshire Show 2019.
[Artefact]
Allen, K.
ORCID: https://orcid.org/0000-0001-7981-862X, Minnion, A. and Headon, K.
(2019)
The MERL's making SENse.
[Show/Exhibition]
Bennett, B.
ORCID: https://orcid.org/0009-0003-5311-6381
(2019)
Yuh Figet Yuhself - Peckham Partnership, Peckham Platform.
[Project]
Bennett, B.
ORCID: https://orcid.org/0009-0003-5311-6381
(2019)
Yuh Figet Yuhself - Peckham Partnership, Peckham Platform.
Peckham Platform.
Chamarette, J.
ORCID: https://orcid.org/0000-0003-0701-1514
(2019)
Ageless: Akerman’s avatars'.
In: Schmid, M. and Wilson, E. (eds.)
Chantal Akerman: Afterlives.
MHRA/Legenda, Oxford, pp. 54-65.
ISBN 9781781886397
doi: 10.2307/j.ctv16km0vw.11
Chau, H. Y. (2019) The contemporary relevance of split portraiture: rereading Marlene Dumas and Francis Bacon. PhD thesis, University of Reading. doi: 10.48683/1926.00088721
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2019)
Reading International.
Department of Art, University of Reading.
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2019)
Reading International # 17: Choir workshop with artist Marco Godoy.
[Performance]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2019)
Reading International # 17: Choir workshop with artist Marco Godoy.
[Performance]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2019)
Reading International # 18: Performance – PUBLIC MOVEMENT – Emergency Routine.
[Performance]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2019)
Reading International # 18: Performance – PUBLIC MOVEMENT – Emergency Routine.
[Performance]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2019)
Reading International #12: 'Inter-' Patricia L. Boyd organised by Novel.
[Show/Exhibition]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2019)
Reading International #12: 'Inter-' Patricia L. Boyd organised by Novel.
[Show/Exhibition]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2019)
Reading International #13: The Riddle of the Imp on the Mezzanine (My Journey) Steven Warwick [performance] organised by Novel.
[Performance]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2019)
Reading International #13: The Riddle of the Imp on the Mezzanine (My Journey) Steven Warwick [performance] organised by Novel.
[Performance]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2019)
Reading International #14: The Book of Challenges – led by Noam Enbar and Nir Shauloff [performance].
[Show/Exhibition]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2019)
Reading International #14: The Book of Challenges – led by Noam Enbar and Nir Shauloff [performance].
[Show/Exhibition]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2019)
Reading International #14: The Sound of Words – an exhibition and artist-led workshop by Helen Cammock.
[Show/Exhibition]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2019)
Reading International #14: The Sound of Words – an exhibition and artist-led workshop by Helen Cammock.
[Show/Exhibition]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2019)
Reading International #16: ChorUs – Voice lab for women led by artist Michal Oppenheim.
[Performance]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2019)
Reading International #16: ChorUs – Voice lab for women led by artist Michal Oppenheim.
[Performance]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2019)
Reading International #19: An Apprenticeship In Queer I Believe It Was – by Nina Wakeford.
[Performance]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2019)
Reading International #19: An Apprenticeship In Queer I Believe It Was – by Nina Wakeford.
[Performance]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2019)
Reading International #20 (Un)Commoning Voices & (Non)Communal Bodies.
[Show/Exhibition]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2019)
Reading International #20 (Un)Commoning Voices & (Non)Communal Bodies.
[Show/Exhibition]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2019)
Szuper Gallery Slide Show Player #1.
[Show/Exhibition]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2019)
Szuper Gallery Slide Show Player #1.
[Show/Exhibition]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2019)
Throw away your books, go into the streets video: experimental video/animation/curation.
[Project]
(Collection)
Connor, V. and O'Connell, T.
ORCID: https://orcid.org/0009-0005-7889-5224
(2019)
'The Long Goodbye' - 'Slow Institution' featuring the project, 'In Dublin' by Tina O'Connell (exhibition publication).
[Show/Exhibition]
Connor, V. and O'Connell, T.
ORCID: https://orcid.org/0009-0005-7889-5224
(2019)
'The Long Goodbye' - 'Slow Institution' featuring the project, 'In Dublin' by Tina O'Connell (exhibition publication).
[Show/Exhibition]
Frearson, A.
ORCID: https://orcid.org/0000-0001-5223-7972
(2019)
Sic.
[Show/Exhibition]
Garfield, R.
ORCID: https://orcid.org/0000-0003-4747-4150
(2019)
The Struggle III: A Glimpse.
[Video]
Garfield, R.
ORCID: https://orcid.org/0000-0003-4747-4150
(2019)
The Struggle III: A Glimpse.
[Video]
Garfield, R.
ORCID: https://orcid.org/0000-0003-4747-4150
(2019)
Women artists, feminism and the moving image contexts and practices, Rachel Garfield 'Prescient Intersectionality: Women, Moving Image and Identity Politics in 1980s Britain'.
In: Reynolds, L. (ed.)
Women Artists, Feminism and the Moving Image Contexts and Practices.
Bloomsbury, London, pp. 99-112.
ISBN 9781784537005
Jackson, M. (2019) Giving Suck. PhD thesis, University of Reading. doi: 10.48683/1926.00117795
Kolb, R. (2019) Revisiting Black Mountain Cross-Disciplinary Experiments and Their Potential for Democratization. OnCurating Issues, 43 (43). OnCurating, Zurich, pp122. ISBN 9781672015431 (Black Mountain College, Contemporary Art, Curating, Experimental Education)
Kolb, R., Krivanek, E., Regli, C. and Richter, D.
ORCID: https://orcid.org/0000-0002-9830-9764, eds.
(2019)
Centres⁄Peripheries – Complex Constellations.
OnCurating Issues, 41 (41).
OnCurating, Zurich, pp176.
ISBN 9781070906966
Kollectiv, G. and Kollectiv, P.
ORCID: https://orcid.org/0000-0001-8349-9318
(2019)
EuroNoize.
[Show/Exhibition]
Kollectiv, P.
ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G.
(2019)
Pil and Galia Kollectiv: (in)visible propaganda.
[Show/Exhibition]
Renshaw, T.
ORCID: https://orcid.org/0009-0005-0871-2533
(2019)
Come and go. Halt extreme left.
[Show/Exhibition]
Renshaw, T.
ORCID: https://orcid.org/0009-0005-0871-2533
(2019)
Drift.
[Show/Exhibition]
Renshaw, T.
ORCID: https://orcid.org/0009-0005-0871-2533
(2019)
Phase III - Le Modulor.
[Show/Exhibition]
Richter, D.
ORCID: https://orcid.org/0000-0002-9830-9764
(2019)
Feministiche perspektiven des Kuratoischen / auf das Kuratorieren.
In: Adorf, S. and Heinz, K. (eds.)
Zeichen/Momente. Vergegenwärtigungen in Kunst und Kulturanalyse.
Transcript Verlag, Bielefeld, pp. 183-202.
ISBN 9783837642049
doi: 10.14361/9783839442043-010
Richter, D.
ORCID: https://orcid.org/0000-0002-9830-9764
(2019)
Feministiche perspektiven des Kuratoischen / auf das Kuratorieren.
In: Adorf, S. and Heinz, K. (eds.)
Zeichen/Momente. Vergegenwärtigungen in Kunst und Kulturanalyse:.
transcript verlag, Bielefeld, pp. 183-202.
ISBN 9783837642049
doi: 10.14361/9783839442043-010
Richter, D.
ORCID: https://orcid.org/0000-0002-9830-9764
(2019)
Propositons on Curating.
Darmstädter Beitrag zur Neuen Musik.
pp. 10-14.
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358
(2019)
International El Kurru project.
[Project]
(In Press)
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358
(2019)
International El Kurru project.
University of Michigan Press.
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358
(2019)
Simply untitled.
[Show/Exhibition]
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358
(2019)
Simply untitled.
[Show/Exhibition]
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358
(2019)
A Strange Weave of Time and Space.
[Show/Exhibition]
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358
(2019)
A Strange Weave of Time and Space.
[Show/Exhibition]
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358
(2019)
The humility of Plaster.
[Show/Exhibition]
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358
(2019)
The humility of Plaster.
[Show/Exhibition]
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358
(2019)
The humility of plaster.
[Project]
(Collection)
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358, Collar, B. and Cole, D.
(2019)
Dimensions tomorrow.
[Show/Exhibition]
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358, Collar, B. and Cole, D.
(2019)
Dimensions tomorrow.
[Show/Exhibition]
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358, Emberling, G. and Davis, S.
(2019)
Graffiti as Devotion.
[Show/Exhibition]
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358, Emberling, G. and Davis, S.
(2019)
Graffiti as Devotion.
[Show/Exhibition]
Rowlands, A. and Williams, M. (2019) Exercises in Style. [Show/Exhibition]
Russell, J. (2019) Bergen Assembly. [Show/Exhibition]
Russell, J. (2019) Bergen Assembly. [Show/Exhibition]
Russell, J. (2019) SUMMA. [Show/Exhibition]
Russell, J. (2019) SUMMA. [Show/Exhibition]
Russell, J. (2019) Screens. [Show/Exhibition]
Russell, J. (2019) Screens. [Show/Exhibition]
Russell, J. (2019) Sick Monday. [Show/Exhibition]
Russell, J. (2019) Sick Monday. [Show/Exhibition]
Russell, J. (2019) Tainted Love. [Show/Exhibition]
Russell, J. (2019) Tainted Love. [Show/Exhibition]
Stupart, L. and Dillon, T. (2019) Turning the tables: the table as utopian object for future struggle. Studies in Arts and Humanities, 5 (1). pp. 24-39. ISSN 2009-8278 doi: 10.18193/sah.v5i1.168
Trayner, J. (2019) The monstrous subject in the sixteenth century: the importance of The Twelve Articles of the Upper Swabian Peasants for reconciling the contemporary image in politics. PhD thesis, University of Reading. doi: 10.48683/1926.00085600
Willems, S.
ORCID: https://orcid.org/0000-0002-2167-7091
(2019)
Forging reality: surface and reductionism in the work of Dick Bengtsson.
Journal of Contemporary Painting, 5 (2).
pp. 233-252.
ISSN 2052-6695
doi: 10.1386/jcp_00002_1
Willems, S.
ORCID: https://orcid.org/0000-0002-2167-7091
(2019)
How not to disappear completely: characterising the role of anonymity in contemporary figurative painting.
PhD thesis, University of Reading.
doi: 10.48683/1926.00088070