Items where Division is "Art" and Year is 2019

A

Al-Taee, N. (2019) Live canvas: digital interface as creative medium. PhD thesis, University of Reading. doi: 10.48683/1926.00084824

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2019) PurpleSTARS DJ for animal magic, MERL late silent disco part of being human festival. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2019) PurpleSTARS DJ for animal magic, MERL late silent disco part of being human festival. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2019) PurpleSTARS presentation at creative bridges SEN conference. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2019) PurpleSTARS presentation at creative bridges SEN conference. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2019) Sensory Objects. [Project] (Collection)

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Headon, K. (2019) Suitcase stories movement Tate Exchange. Soundcloud, London, UK.

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Headon, K. (2019) Suitcase stories movement Tate Exchange. [Project]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Headon, K. and Minnion, A. (2019) purpleSTARS virtual reality quad bike experience at the Berkshire Show 2019. [Artefact]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Headon, K. and Minnion, A. (2019) purpleSTARS virtual reality quad bike experience at the Berkshire Show 2019. [Artefact]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Minnion, A. and Headon, K. (2019) The MERL's making SENse. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Minnion, A. (2019) Pride of place. [Show/Exhibition]

B

Bennett, B. ORCID: https://orcid.org/0009-0003-5311-6381 (2019) Yuh Figet Yuhself - Peckham Partnership, Peckham Platform. [Project]

Bennett, B. ORCID: https://orcid.org/0009-0003-5311-6381 (2019) Yuh Figet Yuhself - Peckham Partnership, Peckham Platform. Peckham Platform.

C

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2019) Ageless: Akerman’s avatars'. In: Schmid, M. and Wilson, E. (eds.) Chantal Akerman: Afterlives. MHRA/Legenda, Oxford, pp. 54-65. ISBN 9781781886397 doi: 10.2307/j.ctv16km0vw.11

Chau, H. Y. (2019) The contemporary relevance of split portraiture: rereading Marlene Dumas and Francis Bacon. PhD thesis, University of Reading. doi: 10.48683/1926.00088721

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International. Department of Art, University of Reading.

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International # 17: Choir workshop with artist Marco Godoy. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International # 17: Choir workshop with artist Marco Godoy. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International # 18: Performance – PUBLIC MOVEMENT – Emergency Routine. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International # 18: Performance – PUBLIC MOVEMENT – Emergency Routine. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #12: 'Inter-' Patricia L. Boyd organised by Novel. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #12: 'Inter-' Patricia L. Boyd organised by Novel. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #13: The Riddle of the Imp on the Mezzanine (My Journey) Steven Warwick [performance] organised by Novel. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #13: The Riddle of the Imp on the Mezzanine (My Journey) Steven Warwick [performance] organised by Novel. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #14: The Book of Challenges – led by Noam Enbar and Nir Shauloff [performance]. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #14: The Book of Challenges – led by Noam Enbar and Nir Shauloff [performance]. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #14: The Sound of Words – an exhibition and artist-led workshop by Helen Cammock. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #14: The Sound of Words – an exhibition and artist-led workshop by Helen Cammock. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #16: ChorUs – Voice lab for women led by artist Michal Oppenheim. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #16: ChorUs – Voice lab for women led by artist Michal Oppenheim. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #19: An Apprenticeship In Queer I Believe It Was – by Nina Wakeford. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #19: An Apprenticeship In Queer I Believe It Was – by Nina Wakeford. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #20 (Un)Commoning Voices & (Non)Communal Bodies. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #20 (Un)Commoning Voices & (Non)Communal Bodies. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Szuper Gallery Slide Show Player #1. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Szuper Gallery Slide Show Player #1. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Throw away your books, go into the streets video: experimental video/animation/curation. [Project] (Collection)

Connor, V. and O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 (2019) 'The Long Goodbye' - 'Slow Institution' featuring the project, 'In Dublin' by Tina O'Connell (exhibition publication). [Show/Exhibition]

Connor, V. and O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 (2019) 'The Long Goodbye' - 'Slow Institution' featuring the project, 'In Dublin' by Tina O'Connell (exhibition publication). [Show/Exhibition]

F

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2019) Sic. [Show/Exhibition]

G

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2019) The Struggle III: A Glimpse. [Video]

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2019) The Struggle III: A Glimpse. [Video]

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2019) Women artists, feminism and the moving image contexts and practices, Rachel Garfield 'Prescient Intersectionality: Women, Moving Image and Identity Politics in 1980s Britain'. In: Reynolds, L. (ed.) Women Artists, Feminism and the Moving Image Contexts and Practices. Bloomsbury, London, pp. 99-112. ISBN 9781784537005

J

Jackson, M. (2019) Giving Suck. PhD thesis, University of Reading. doi: 10.48683/1926.00117795

K

Kolb, R., Krivanek, E., Regli, C. and Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, eds. (2019) Centres⁄Peripheries – Complex Constellations. OnCurating Issues. OnCurating, Zurich, pp176. ISBN 9781070906966

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2019) EuroNoize. [Show/Exhibition]

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2019) Pil and Galia Kollectiv: (in)visible propaganda. [Show/Exhibition]

R

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2019) Drift. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2019) Come and go. Halt extreme left. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2019) Phase III - Le Modulor. [Show/Exhibition]

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2019) Propositons on Curating. Darmstädter Beitrag zur Neuen Musik. pp. 10-14. (In Press)

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2019) Feministiche perspektiven des Kuratoischen / auf das Kuratorieren. In: Adorf, S. and Heinz, K. (eds.) Zeichen/Momente. Vergegenwärtigungen in Kunst und Kulturanalyse. Transcript Verlag, Bielefeld, pp. 183-202. ISBN 9783837642049 doi: 10.14361/9783839442043-010

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2019) Feministiche perspektiven des Kuratoischen / auf das Kuratorieren. In: Adorf, S. and Heinz, K. (eds.) Zeichen/Momente. Vergegenwärtigungen in Kunst und Kulturanalyse:. transcript verlag, Bielefeld, pp. 183-202. ISBN 9783837642049 doi: 10.14361/9783839442043-010

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2019) International El Kurru project. [Project] (In Press)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2019) International El Kurru project. University of Michigan Press.

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2019) Simply untitled. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2019) Simply untitled. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2019) A Strange Weave of Time and Space. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2019) A Strange Weave of Time and Space. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2019) The humility of Plaster. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2019) The humility of Plaster. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2019) The humility of plaster. [Project] (Collection)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Collar, B. and Cole, D. (2019) Dimensions tomorrow. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Collar, B. and Cole, D. (2019) Dimensions tomorrow. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Emberling, G. and Davis, S. (2019) Graffiti as Devotion. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Emberling, G. and Davis, S. (2019) Graffiti as Devotion. [Show/Exhibition]

Rowlands, A. and Williams, M. (2019) Exercises in Style. [Show/Exhibition]

Russell, J. (2019) Bergen Assembly. [Show/Exhibition]

Russell, J. (2019) Bergen Assembly. [Show/Exhibition]

Russell, J. (2019) SUMMA. [Show/Exhibition]

Russell, J. (2019) SUMMA. [Show/Exhibition]

Russell, J. (2019) Screens. [Show/Exhibition]

Russell, J. (2019) Screens. [Show/Exhibition]

Russell, J. (2019) Sick Monday. [Show/Exhibition]

Russell, J. (2019) Sick Monday. [Show/Exhibition]

Russell, J. (2019) Tainted Love. [Show/Exhibition]

Russell, J. (2019) Tainted Love. [Show/Exhibition]

S

Stupart, L. and Dillon, T. (2019) Turning the tables: the table as utopian object for future struggle. Studies in Arts and Humanities, 5 (1). pp. 24-39. ISSN 2009-8278 doi: 10.18193/sah.v5i1.168

Stupart, L. and Gent, C. (2019) All Us Girls Have Been Dead For So Long. [Performance]

T

Trayner, J. (2019) The monstrous subject in the sixteenth century: the importance of The Twelve Articles of the Upper Swabian Peasants for reconciling the contemporary image in politics. PhD thesis, University of Reading. doi: 10.48683/1926.00085600

W

Willems, S. ORCID: https://orcid.org/0000-0002-2167-7091 (2019) Forging reality: surface and reductionism in the work of Dick Bengtsson. Journal of Contemporary Painting, 5 (2). pp. 233-252. ISSN 2052-6695 doi: 10.1386/jcp_00002_1

Willems, S. ORCID: https://orcid.org/0000-0002-2167-7091 (2019) How not to disappear completely: characterising the role of anonymity in contemporary figurative painting. PhD thesis, University of Reading. doi: 10.48683/1926.00088070