Items where Division is "Art" and Year is 2017

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Number of items: 103.

Article

Ellison, C. (2017) Workshop: making beyond the post-medium condition. Visual Culture in Britain, 18 (2). pp. 133-162. ISSN 1471-4787 doi: 10.1080/14714787.2017.1353438

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2017) Datocracy. Journal of Visual Art Practice, 15 (2-3). pp. 168-175. ISSN 1470-2029 doi: 10.1080/14702029.2016.1228807

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2017) Deflationary tactics with the archive of life: contemporary Jewish art and popular culture. Journal of Modern Jewish Studies, 16 (1). pp. 38-56. ISSN 1472-5886 doi: 10.1080/14725886.2016.1242313

Garnett, R. (2017) Address: Critical irony, neo-authenticity and humour in the art we call public. Art and the Public Sphere, 1 (6). pp. 69-79. ISSN 2042-793X doi: 10.1386/aps.6.1-2.69_1

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2017) Learning from Dhaka. OnCurating (35). pp. 61-71. ISSN 2673-2904 (Decolonizing Art Institutions)

Book or Report Section

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2017) Between seeing and knowing: Stephen Dwoskin’s Behindert and the camera’s caress. In: Clayton, S. and Mulvey, L. (eds.) Other Cinemas: Politics, Culture and British Experimental Film in the 1970s:. IB Taurus, London. ISBN 9781784537180

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2017) Valences of subjectivity: the politics of personal narrative in video art. In: Feldman, Z. (ed.) Art and the Politics of Visibility: Contesting the Global, Local and the In-Between:. I.B.Tauris & Co. Ltd., London, UK, pp. 137-166. ISBN 9781780769066

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2017) Playing like a girl. In: Cesura // Accesso. Cesura // Accesso, London, pp. 236-256. ISBN 9780993024610

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2017) Playing like a girl. In: Cesura // Accesso:. Cesura // Accesso, London, pp. 236-256. ISBN 9780993024610

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2017) Towards an anti-humanist critique of immaterial labour, or how to negotiate with vampires. In: Sampanikou, E. D. (ed.) Audiovisual Posthumanism:. Cambridge Scholars Publishing, Cambridge, pp. 343-354. ISBN 9781443881777

Kontopoulou, A. (2017) Democracy and community. In: Bicknell, A. (ed.) BP Art Exchange: Sowing Seeds, Generating Art, Ideas and a Connected Global Community. Tate Publishing, London, pp. 88-98.

Kontopoulou, A. (2017) Democracy and community. In: Bicknell, A. (ed.) BP Art Exchange: Sowing Seeds, Generating Art, Ideas and a Connected Global Community:. Tate Publishing, London, pp. 88-98.

Lloyd, K. ORCID: https://orcid.org/0000-0001-8941-9526 (2017) Katie Sokoler, your construction paper tears can’t hide your Yayoi Kusama-neurotic underbelly. In: Boyle, J. and Kao, W.-C. (eds.) The Retro-Futurism of Cuteness. Punctum Press, Santa Barbara, pp. 243-260. ISBN 9781947447288

Lloyd, K. ORCID: https://orcid.org/0000-0001-8941-9526 (2017) Katie Sokoler, your construction paper tears can’t hide your Yayoi Kusama-neurotic underbelly. In: Boyle, J. and Kao, W.-C. (eds.) The Retro-Futurism of Cuteness:. Punctum Press, Santa Barbara, pp. 243-260. ISBN 9781947447288

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2017) Being singular/plural in the exhibition context: curatorial subjects at documenta 5, dX, D12, d(13). In: Buurman, N. and Richter, D. (eds.) documenta. Curating the History of the Present:. On-Curating. On-Curating, Zurich, pp. 76-88. ISBN 9781546946120

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2017) Invisible philosophers, my fellow travelers. In: Baltensperger + Siepert, Baltensperger, S. and Siepert, D. (eds.) Invisible philosophy. Amsel Verlag, Zurich. ISBN 9783906325170

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2017) Propositions on curating, or how much curating is involved in social change. In: Krämer, N. and Müller, P. (eds.) With: A Bookazine on Collaboration between Cultures, Art Forms, and Disciplines. Connecting Spaces, Zurich University of the Arts, Zürich.

Book

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International: CRASH! ‘Xerox Interview Book’. Reading International. ISBN 9781912115716

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International: CRASH! ‘Xerox Interview Book’. Reading International. ISBN 9781912115716

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International: Eggy + Seedy + Friends - ‘All Day Breakfast’. Reading International. ISBN 9781912115006

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International: Eggy + Seedy + Friends - ‘All Day Breakfast’. Reading International. ISBN 9781912115006

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Hunt, A. and Marshall, B. (2017) Reading International: Bertie Marshall ‘Wilde Re-Write’. Reading International. ISBN 9781912115709

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Hunt, A. and Marshall, B. (2017) Reading International: Bertie Marshall ‘Wilde Re-Write’. Reading International. ISBN 9781912115709

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Worley, M. ORCID: https://orcid.org/0000-0002-3049-8714, King, S. and Hunt, A. (2017) Reading International: CRASH! ‘A Better Britain II: Britlins’. Reading International. ISBN 9781912115723

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Worley, M. ORCID: https://orcid.org/0000-0002-3049-8714, King, S. and Hunt, A. (2017) Reading International: CRASH! ‘A Better Britain II: Britlins’. Reading International. ISBN 9781912115723

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2017) Affectation Correspondence. Tombstone Press, London, UK, pp312. ISBN 9780957675612

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2017) Sic. Y Press, London, UK, pp345. ISBN 9781389201875

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2017) Wollstonochlincraft 1791-1971. The Good Reader. MA BIBLIOTHÈQUE, London, UK, pp16. ISBN 9781910055328

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2017) Wollstonochlincraft 1791-1971. The Good Reader. MA BIBLIOTHÈQUE, London, UK, pp16. ISBN 9781910055328

Kolb, R., Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, Ahmed, S., Allain Bonilla, M.-L., Choi, B., Danon, E., Farago, C., van der Heide, Y., Mabaso, N., Mdluli, S., Merali, S., Muñiz-Reed, I., Patel, S., Jain, R., Raqs Media, C., Voegele, S., Saner, P., Wei, W. T., Williamson, S. J., Wintle, C. and Wong, M. (2017) Decolonizing Art Institutions. On-Curating. On-Curating, Zurich, pp142. ISBN 9781981991747

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, Kolb, R., Clausen / Szuper Gallery, S. ORCID: https://orcid.org/0000-0002-6536-6236, Alves, M. T., Durham, J., Keller, S., Ponger, L., Rosen, R. and Zhao, Z. (2017) De-Colonizing Art Institutions: Artists’ Book. On-Curating. On-Curating, Zurich, pp108. ISBN 9781982088897

Russell, J. (2017) DOGGO. Miami and Zurich: NAME and Zurich Kunsthalle, Miami/Zurich. ISBN 9780997494020

Russell, J. (2017) DOGGO. Miami and Zurich: NAME and Zurich Kunsthalle, Miami/Zurich. ISBN 9780997494020

Thesis

Kim, C. J. H. (2017) Painting in the expanded field from the perspective of Merleau-Ponty’s phenomenology: a practice-based investigation on Western and Eastern approaches. PhD thesis, University of Reading.

Stupart, L. (2017) Becoming object: positioning a feminist art practice. PhD thesis, Goldsmiths, University of London. doi: 10.25602/GOLD.00020117

Stupart, L. (2017) Becoming object: positioning a feminist art practice. PhD thesis, Goldsmiths, University of London. doi: 10.25602/GOLD.00020117

Show/Exhibition

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Hollinworth, N. (2017) Madhouse My House: an immersive reclaiming of old long stay hospitals. Hackney Museum Exhibition. [Show/Exhibition]

Bennett, B. ORCID: https://orcid.org/0009-0003-5311-6381 (2017) Dissonance. [Show/Exhibition]

Bennett, B. ORCID: https://orcid.org/0009-0003-5311-6381 (2017) Dissonance. [Show/Exhibition]

Clarke, A., Cooke, K., Roberts, M. M., Holmes, D., Iveson, M., Jenkins, T., Kivland, S., Nader, M., Woodham, N. and Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2017) Decorative dormitories for sleep workers. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International 1: Matt Copson and Alastair MacKinven ‘Eggy and Seedy’. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International 1: Matt Copson and Alastair MacKinven ‘Eggy and Seedy’. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International 2: CRASH! presents ‘A Better Britain II: Britlins’. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International 2: CRASH! presents ‘A Better Britain II: Britlins’. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International 3: Abel Auer ‘how a black void replaces the white cube and a painting moves from the fine to the performing arts’. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International 3: Abel Auer ‘how a black void replaces the white cube and a painting moves from the fine to the performing arts’. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International 4: Rochelle Goldberg, Veit Laurent Kurz, Stefan Tcherepnin, Hanna Törnudd ‘Ante Phylloxera’. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International 4: Rochelle Goldberg, Veit Laurent Kurz, Stefan Tcherepnin, Hanna Törnudd ‘Ante Phylloxera’. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International 5: the critic as artist. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International 5: the critic as artist. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Rehearsing Szuper Gallery. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Rehearsing Szuper Gallery. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) Bonobo. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) I will survive, video, 8:05mins. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) Soviart. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) Work, Arbeit, Rabota. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) Work, Arbeit, Rabota. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) Bonobo. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) I will survive, video, 8:05mins. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) Soviart. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) Work, Arbeit, Rabota. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) Work, Arbeit, Rabota. [Show/Exhibition]

Crabtree, J. and Evans, W. (2017) Gullet. [Show/Exhibition]

Crabtree, J. and Evans, W. (2017) Gullet. [Show/Exhibition]

Crabtree, J., Evans, W., Lock, T., Wakeford, N. and Woodhouse, L. (2017) Maximum overdrive. [Show/Exhibition]

Crabtree, J., Evans, W., Lock, T., Wakeford, N. and Woodhouse, L. (2017) Maximum overdrive. [Show/Exhibition]

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2017) The Immigrants. [Show/Exhibition]

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 (2017) All that is data that melts into air. [Show/Exhibition]

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 (2017) Study for a pavilion: Askeaton. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2017) Notebook architecture at Kunstgriff. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2017) Plan Unplan. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2017) Home is not a Place. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2017) Home is not a Place. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2017) Ir re par sur. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2017) Ir re par sur. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2017) They call us screamers. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2017) They call us screamers. [Show/Exhibition]

Rowlands, A. and Williams, M. (2017) Our words return in patterns. [Show/Exhibition]

Rowlands, A. and Williams, M. (2017) Our words return in patterns. [Show/Exhibition]

Russell, J. (2017) Against interpretation. [Show/Exhibition]

Russell, J. (2017) Against interpretation. [Show/Exhibition]

Russell, J. (2017) As above, so below: portals, visions, spirits & mystics. [Show/Exhibition]

Russell, J. (2017) As above, so below: portals, visions, spirits & mystics. [Show/Exhibition]

Russell, J. (2017) DOGGO. [Show/Exhibition]

Russell, J. (2017) DOGGO. [Show/Exhibition]

Russell, J. (2017) Encore! [Show/Exhibition]

Russell, J. (2017) Encore! [Show/Exhibition]

Project

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Hollinworth, N. (2017) ‘From the Outside In’ art award box, log and workshop plans. [Project]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2017) Sensory Objects Enterprise - Co-Development and Start Up project AHRC Follow on Fund Project pupleSTARS. [Project]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International. [Project]

Ellison, C. (2017) Let's interface the music and dance. [Project] (Collection)

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2017) Wollstonochlincraft. [Project] (Collection)

Kontopoulou, A. (2017) Democracy. [Project] (Collection)

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 (2017) Temporal Data Study. [Project] (Collection)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2017) Chelsea Embankment - London. [Project]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2017) With, and, or, without. [Project] (Collection)

Rowlands, A. (2017) Our words return in patterns. [Project] (Collection)

Rowlands, A. and Williams, M. (2017) On Reading. [Project]

Other

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Hollinworth, N. (2017) ‘From the Outside In’ art award box, log and workshop plans. Orleans House Gallery, Orleans House Gallery.

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2017) Sensory Objects Enterprise - Co-Development and Start Up project AHRC Follow on Fund Project pupleSTARS. AHRC.

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2017) This way out of England: Gallery House in retrospect. Raven Row.

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2017) Chelsea Embankment - London. Tideways, Royal Borough of Kensington and Chelsea, TFL, Thames Waterways, London.

Rowlands, A. and Williams, M. (2017) On Reading. Bergen Kunsthall, Bergen, Norway.

This list was generated on Thu Sep 24 23:26:42 2026 UTC.