Allen, K.
ORCID: https://orcid.org/0000-0001-7981-862X
(2004)
Installation.
[Project]
Bonham-Carter, E., Buckley, S. and Chaimowicz, M. C. (2004) Jean Cocteau. [Show/Exhibition]
Buckley, S. (2004) Narratives. [Show/Exhibition]
Chaimowicz, M. C. (2004) It's all an illusion: a sculpture project. [Show/Exhibition]
Chaimowicz, M. C. (2004) Like beads on an abacus designed to calculate infinity. [Show/Exhibition]
Chaimowicz, M. C. (2004) The future has a silver lining: genealogies of glamour. [Show/Exhibition]
Cook, R. J. R. (2004) (S)tools for conviviality. Miser and Now, 2. pp. 2-10.
Davies, P. (2004) Santa Maria del Calcinaio a Cortona come architettura di pellegrinaggio. In: Fiore, F.P. (ed.) Francesco di Giorgio alla corte di Federico da Montefeltro. Olschki, Florence, Italy, pp. 679-702. ISBN 8822253221
Davies, P. (2004) The lighting of pilgrimage shrines in Renaissance Italy. Analecta Romana Instituti Danici, Supplementum, 35. pp. 125-148. ISSN 2035-2506
Davies, P. and Hemsoll, D. (2004) Michele Sanmicheli. Electa, Milan, Italy. ISBN 9788837028046
MacLean, M. (2004) Somewhere ... fast. [Show/Exhibition]
Malvern, S. B. (2004) Antibodies: Rachel Whiteread's Water Tower. In: Perry, G. (ed.) Difference and excess in contemporary art: the visibility of women's practice. Blackwell, Oxford, UK, pp. 74-87. ISBN 9781405112024
Malvern, S. B. (2004) 'For King and country': Frampton's Edith Cavell (1915-1920) and the writing of gender in memorials to the Great War. In: Getsy, D. (ed.) Sculpture and the pursuit of a modern ideal in Britain c. 1880-1930. British art and visual culture since 1750 new readings. Ashgate, Aldershot, UK, pp. 219-244. ISBN 9780754609964
Malvern, S. B. (2004) Modern art, Britain and the Great War: witnessing, testimony and remembrance. Paul Mellon centre for studies in British art. Yale University Press, New Haven, USA. ISBN 9780300105766
Marchand, E. (2004) Exemplary gestures and 'authentic' physiognomies: an interpretation of Ghirlandaio's 'Famous Men' in the Palazzo Vecchio, Florence. Apollo. pp. 3-11. ISSN 0003-6536
Marchand, E. (2004) Gebärden in der Florentiner Malerei: Studien zur Charakterisierung von Heiligen, Uomini Famosi und Zeitgenossen im Quattrocento. Kunstgeschichte, 79. Lit Verlag, Muenster. ISBN 9783825877507
O'Connell, T.
ORCID: https://orcid.org/0009-0005-7889-5224
(2004)
Tina O'Connell.
[Show/Exhibition]
Renshaw, T.
ORCID: https://orcid.org/0009-0005-0871-2533
(2004)
John Moores 23.
[Show/Exhibition]
Robertson, C. (2004) New documents for the tomb of Paul III. Romisches Jahrbuch fur Kunstgeschichte, 34. pp. 201-220. ISSN 0342-2046
Robins, A. G. (2004) Line 'pregnant with meaning'. In: Smith, A. (ed.) Walter Sickert: 'drawing is the thing'. The Whitworth Art Gallery, Manchester, UK, pp. 6-10. ISBN 9780903261548
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358
(2004)
Flights.
In: Hoflich, R., Benjamin, M. and Schiran, M. (eds.)
Guestroom, No. 4 (Static Commotion).
Ruth Hӧflich, Munich, Germany.
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358
(2004)
Solar dreams.
[Show/Exhibition]
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358
(2004)
Table of contents.
In: Hoflich, R., Benjamin, M. and Schiran, M. (eds.)
Guestroom, No. 4 (Static Commotion).
Guestroom, London and Munich, Munich, Germany.
Rowlands, A. (2004) Dexter Dalwood. In: Bishop, C. (ed.) This much is certain. Royal College of Art, London, pp. 67-75. ISBN 1874175624
Rowlands, A. (2004) We are all revolutionaries. [Show/Exhibition]
Russell, J., ed. (2004) Frozen tears II. Article Press, Univ. of Central England, Birmingham. ISBN 1873352883
Toren, A. (2004) Clouds in trousers. [Show/Exhibition]