Items where Author is "Rolland, Dr Nina"

Rolland, N. (2022) 'Music and Gender Roles in Hector Berlioz’s Euphonia and George Sand’s Le Dernier Amour'. In: Durkin, R. (ed.) Routledge Companion to Music and Modern Literature. Routledge Music Companions. Routledge. ISBN 9780367237240

Rolland, N. (2022) 'Music and Gender Roles in Hector Berlioz’s Euphonia and George Sand’s Le Dernier Amour'. In: Durkin, R. (ed.) Routledge Companion to Music and Modern Literature:. Routledge. ISBN 9780367237240

Rolland, N. (2022) 'Bigflo & Oli', 'Gims', 'La Fouine', 'Soprano'. In: Abecassis, M., Block, M. and Chaplin, F. (eds.) An Anthology of French and Francophone Singers from A to Z. Cambridge Scholars. ISBN 9781527581227

Rolland, N. (2022) 'Bigflo & Oli', 'Gims', 'La Fouine', 'Soprano'. In: Abecassis, M., Block, M. and Chaplin, F. (eds.) An Anthology of French and Francophone Singers from A to Z:. Cambridge Scholars. ISBN 9781527581227

Rolland, N. (2021) 'Charles Baudelaire en musique : analyse numérique des mélodies de Gabriel Fauré'. Comparatismes en Sorbonne, 12. ISSN 1962-8927

Rolland, N. (2021) 'When the poet becomes the muse: Baudelaire and female composers'. Journal of Romance Studies, 21 (3). pp. 351-374. ISSN 1752-2331 doi: 10.3828/jrs.2021.20

Rolland, N. (2021) 'When the poet becomes the muse: Baudelaire and female composers'. Journal of Romance Studies, 21 (3). pp. 351-374. ISSN 1473-3536 doi: 10.3828/jrs.2021.20

Rolland, N. (2021) 'Charles Baudelaire en musique : analyse numérique des mélodies de Gabriel Fauré'. Comparatismes en Sorbonne, 12. ISSN 1962-8927

Rolland, N. (2021) '"Dans la rue et le bitume ne poussent que les fleurs du mal": jouer et déjouer Charles Baudelaire et sa poésie dans le rap français'. Itinéraires, 3. ISSN 2427-920X doi: 10.4000/itineraires.9377

Rolland, N. and Mandis, E. (2015) ‘Variety theatre and theatre of variations: performance, female body and music in Emile Zola’s Nana (1880), Kate Chopin’s The Awakening (1894) and Arthur Schnitzler’s Fräulein Else (1924)’. European Drama and Performance Studies, 5 (2). pp. 55-72. ISSN 2266-9035

Rolland, N. and Mandis, E. (2015) ‘Variety theatre and theatre of variations: performance, female body and music in Emile Zola’s Nana (1880), Kate Chopin’s The Awakening (1894) and Arthur Schnitzler’s Fräulein Else (1924)’. European Drama and Performance Studies, 5 (2). pp. 55-72. ISSN 2266-9035